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Symphony
SANTA ROSA SYMPHONY HERALDS THE HOLIDAYS
by Steve Osborn
Sunday, December 02, 2018
Antlers are typical headgear during the holiday season, but the ushers and one bassist at the Santa Rosa Symphony concert on Dec. 2 sported apples atop their heads. The red fruits were festive but perplexing until the orchestra began Rossini’s “William Tell” overture, at which point even the dull-wi...
Symphony
A HERO'S ODYSSEY IN SO CO PHIL CONCERT
by Art Hofmann
Sunday, November 18, 2018
The audience at the Sonoma County Philharmonic’s Nov. 18 concert was warned at the outset that the old Santa Rosa High School auditorium boiler was turned off, and there was a steady eminently audible tone in the hall. Conductor Norman Gamboa said the tone was an A, a high one. But there it was, a...
Recital
MTA BENEFIT CONCERT FEATURES FAURE, DVORAK, JANACEK AND BARBER WORKS
by Terry McNeill
Sunday, November 11, 2018
In a splendid concert Nov. 11 the Music Teachers Association of California, Sonoma County Chapter, presented their sixth annual benefit concert before 40 avid listeners in the Santa Rosa home of Helen Howard and Robert Yeats. Highlights of the performances, involving eight musicians in various perf...
Recital
SERKIN'S SINGULAR MOZART AND BACH PLAYING IN WEILL RECITAL
by Terry McNeill
Friday, November 09, 2018
Returning to Weill Hall following a fire-related recital cancellation in 2017, pianist Peter Serkin programmed just three works in his Nov. 7 concert, three masterworks that challenged both artist and audience alike. It needs to be said at the outset that Mr. Serkin takes a decidedly non-standard a...
Chamber
LUMINOUS FAURE TOPS LINCOLN TRIO'S SPRING LAKE VILLAGE CONCERT
by Terry McNeill
Wednesday, November 07, 2018
Familiarity in chamber music often evokes warm appreciation, and it was thus Nov. 7 when the Chicago-based Lincoln Piano Trio made one of their many Sonoma County appearances, this time on the Spring Lake Village Classical Music Series. Regularly presented by local impresario Robert Hayden, the Lin...
Symphony
PEACE AND LOVE FROM THE SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, November 04, 2018
Before the Santa Rosa Symphony’s Nov. 4 performance of Leonard Bernstein’s “Symphonic Dances from West Side Story,” Symphony CEO Alan Silow took a moment to acknowledge the victims of the Pittsburgh synagogue attack and to observe that music offers a more peaceful and loving view of the world. Mr. ...
Chamber
ATOS TRIO IN MILL VALLEY CHAMBER CONCERT
by Abby Wasserman
Sunday, November 04, 2018
When the ATOS Piano Trio planned their all-Russian touring program at their Berlin home base, it had a strong elegiac, even tragic theme that surely resonated with their Mill Valley Chamber Music Society audience Nov. 4 in Mill Valley. Comprised of Annette von Hehn, violin; Thomas Hoppe, piano; and...
Chamber
ATOS TRIO IN OCCIDENTAL CHAMBER CONCERT
by Terry McNeill
Saturday, November 03, 2018
When the Berlin-based ATOS Piano Trio entered the cramped Occidental Performing Arts stage Nov. 3, the audience of 100 anticipated familiar works in the announced all-Russian program. What they got was a selection of rarely-plays trios, with a gamut of emotions. Then one-movement Rachmaninoff G Mi...
Symphony
MIGHTY SHOSTAKOVICH 10TH OPENS MARIN SYMPHONY SEASON
by Terry McNeill
Sunday, October 28, 2018
Just two works were on the opening program of the Marin Symphony’s 67th season Oct. 28, Tchaikovsky’s iconic D Major Violin Concerto, and Shostakovich’s Tenth Symphony. Before a full house in the Marin Center Auditorium conductor Alasdair Neale set a judicious opening tempo in the brief orchestra i...
Symphony
VIVALDI FOR ALL SEASONS IN WEILL BAROQUE CONCERT
by Sonia Morse Tubridy
Saturday, October 27, 2018
The Venice Baroque Orchestra, a dozen superb musicians that include strings, harpsichord and recorder, played an uplifting concert Oct. 27 of mostly Vivaldi sinfonias and concertos. The Weill Hall audience of 600 had rapt attention throughout, and the playing was of the highest musical level. This r...
RECITAL REVIEW
Anderson and Roe / Friday, October 24, 2014
Terry McNeill

Anderson and Roe in Weill Oct. 24 (S. Tubridy Photo)

DARK SPIRITS IN SPOOKY ANDERSON AND ROE WEILL PROGRAM

by Sonia Tubridy
Friday, October 24, 2014

The Anderson and Roe piano duo have been a force in the music world for over a decade. Their arrangements and performances present virtuoso abilities and commitment to engaging audiences in the beauty and drama of classical music, juxtaposed with contemporary artists' music of other genres.
The concert Oct. 24 at Weill Hall was called Dancing in the Dark, a program to celebrate Halloween. Greg Anderson and Elizabeth Joy Roe introduced each piece with intelligence and humor, warning us of some of the unusual sounds and experiences ahead.

They commenced with Dance Macabre, the St. Saëns Bacchanal for two pianos in their own arrangement. Twelve bells of midnight ushered in a wild revelry of skeletons until a crow announces dawn. It was intense and captivating, the ensemble and connection between the two musicians seemed almost supernatural. The next piece was Rachmaninoff's "The Night…The Love" based on a poem by Byron. This was lush and rich in romantic emotional content, and the beauty of the last slow quiet chords, played as if the two musicians were one, lingered in the hushed hall.

This was followed by Stravinsky's “Adoration of the Earth” from the Rite of Spring, performed on one piano and a ballet from 1913 depicting ancient Russian tribal rituals and through this the tumult and turbulence of the times. We were told that the savagery of the music was meant to shock, and it is relevant to the violence and confusion all over the world today as well. We were told that if we were not terrified and on the edge of our seats, they were not doing things right. They certainly succeeded in an intense emotional and physical impact. An exquisite gentle and sad Ballet from Gluck's Orfeo and Eurydice, arranged for piano duet, depicted an underworld dance of spirits and the loss of a great love, and was intimately played.

The last selection in the first half of the program was Michael Jackson's "Billie Jean". Certainly this was a surprise for many, and it was not a cover of the song but rather an attempt to highlight the dark spirit and the iconic dance movements. Throughout the concert the theme of dance was apparent and often the performers would add dance moves to their playing.

We were again surprised following intermission. On a large screen a music video of Schubert's "Der Erlkonig" was shown, a horror film involving Anderson and Roe playing in a Steinway Piano Company warehouse with disintegrating pianos and performers being tossed about violently. This was frightening but always with a sense of humor, a quality the duo have in abundance. Radiohead's "Paranoid Android" was next with challenging sonorities and rhythms, and an introduction inviting us to experience a psychological journey of a dark nightmare tale of alienation and isolation. This unquiet world of strange layered harmonies and sounds then gave way to a beautiful cinematic "Quietly Luminous,” inspired by John Williams' score from Star Wars.

Closing this compelling and provocative concert was a transcription of Bizet's opera Carmen, condensed into 13 minutes of operatic and orchestral beauty and drama. The performers invited us to be seduced by the tempestuous music and it was a wonderful way to end the evening. But no, it wasn't over. The enthusiastic audience was treated to Sabre Dance by Khatchaturian and then Piazzola's Libertango on one piano. It was played very sensually as a tango, with eyes, arms and bodies suggesting the tango as nimble fingers danced.

Greg Anderson and Elizabeth Joy Roe are fascinating artists, and they lavished an appreciative audience with delightful tricks and treats.




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