Home  Reviews  Articles  Calendar  Presenters  Add Event     
Chamber
FLORESTAN TRIO'S MENDELSSOHN AT SPRING LAKE VILLAGE CONCERT
by Terry McNeill
Friday, March 08, 2019
Spring Lake Village’s monthly concerts usually clock in under an hour, but the March 8 Florestan Trio’s performance was more extended as so much good music was on tap for the 125 residents attending at Santa Rosa’s premiere retirement residence facility. Four short pieces made up the first half, be...
Chamber
TILDEN TRIO'S BOHEMIAN ENERGY AT DOMINICAN CONCERT
by Terry McNeill
Sunday, March 03, 2019
Hard on the heels of the Trio Navarro’s late February concert in Sonoma State’s Schroeder Hall, Northern California’s other premiere resident piano trio, the Tilden, played an equally convincing program March 3 in Dominican University’s Angelico Hall. Clearly each hall’s acoustics, stage pianos and...
Recital
24 SONGS IN A MENKE-THOMPSON RECITAL ODYSSEY
by Terry McNeill
Saturday, February 23, 2019
Sonoma County pop and country singing enjoys continued popularity but it rare to see a professional classical vocal concert announced. Diva Ruth Ann Swenson was once a local star, but she has long departed and not much virtuoso recital singing can be found in the North Bay. But the exception to th...
Chamber
UNEXPECTED ARENSKY AND MENDELSSOHN BY THE NAVARRO
by Terry McNeill
Sunday, February 17, 2019
The 100 people entering Schroeder Hall Feb. 17 for a Trio Navarro concert were handed a program that appeared to feature two popular piano trios, Mendelssohn and Arensky. But continuing the Navarro’s tradition of repertoire exploration, the pieces were not the usual first Mendelssohn and first Aren...
Recital
GLOVER'S ECLECTIC PROGRAMMING HIGHLIGHT'S CINNABAR RECITAL
by Terry McNeill
Sunday, February 17, 2019
Daniel Glover is arguably the busiest virtuoso pianist in the San Francisco Bay area, but rarely is heard in North Bay concerts. So 90 local pianophiles were anxious to hear him Feb. 17 in Petaluma’s charming small Cinnabar Theater, and they were rewarded with an eclectic program of sometimes unfam...
Symphony
MENDELSSOHN'S SCOTTISH SAVES THE EVENING IN SRS WEILL CONCERT
by Terry McNeill
Monday, February 11, 2019
The audience entering Weill Hall for Santa Rosa Symphony concerts Feb. 9-11 were presented with a program that on first glance appeared a curious patchwork – a great symphony mixed with a seldom heard concerto and two disparate overtures, and a guest conductor unknown locally. Monday night’s concer...
Recital
INTRIGUING BELL-HAYWOOD RECITAL BEFORE FULL HOUSE IN WEILL HALL
by Abby Wasserman
Friday, February 08, 2019
A big portion of the capacity audience in Weill Hall February 8th came to hear violinist Joshua Bell’s virtuosity, and were treated as well to splendid playing from Sam Haywood, Mr. Bell’s regular pianist since 2010. The duo performed three engaging sonatas, highlighted by Mr. Bell’s sterling techn...
Symphony
TRIPLE PLAY UKIAH SYMPHONY CONCERT AND TCHAIKOVSKY SERENADE
by Terry McNeill
Sunday, January 27, 2019
Over the years the Ukiah Symphony’s concerts have been in the Classical Sonoma Calendar sections, but rarely has this Orchestra, now in its 39th season, had a full winter season concert review. The provocative Jan. 27 program in Mendocino College’s Center Theater seemed a good reason to reacquaint ...
Symphony
JACKSON THEATER WELCOMES A NEW RESIDENT ORCHESTRA
by Terry McNeill
Saturday, January 26, 2019
Moving to a permanent new performance venue can be a perilous undertaking for an orchestra, with different acoustics, the loyal audience finding the new spot and infrastructure challenges of lighting and lobby and backstage operations. In their first concert Jan. 26 in Windsor’s Jackson Theater the...
Symphony
ECLECTIC PASSIONATE PROGRAMMING AT MARIN SYMPHONY CONCERT
by Abby Wasserman
Saturday, January 26, 2019
The Marin Symphony’s second Masterworks concert of the 2018-19 season featured works by John Adams, Sibelius and Brahms, a masterful assembly. In a spoken introduction before the program’s first half, conductor Alasdair Neale primed the audience for the “terra incognita” of Adams’ The Chairman Dance...
CHAMBER REVIEW
Mill Valley Chamber Music Society / Sunday, January 25, 2015
Manasse-Nakamatsu Duo. Jon Manasse, clarinet; Jon Nakamatsu, piano

Manasse-Nakamatsu Duo

SNAZZY CLARINET-PIANO WORKS IN MILL VALLEY CHAMBER CONCERT

by Terry McNeill
Sunday, January 25, 2015

Often international-level instrumental duos are pickup couplings, one virtuoso’s schedule meeting another’s with the resulting desultory concerts. An exception would be the violinist Anne Sophie Mutter with her long-time partner Lambert Orkis, and the Nakamatsu-Manesse Duo.

The latter played a provocative concert Jan. 25 in the Mill Valley United Methodist Church, and the ten years of collaborative music-making of the two Jons was everywhere in evidence. Perhaps the recital’s major work was the E Flat Sonata of Brahms, Op. 120, No. 2. Here the playing was muscular and often loud in the Church’s diffuse acoustic ambience but it never deviated from the autumnal character of late Brahms. Mr. Nakamatsu’s phrasing with inner voices and subtle rubatos was admirable.

The scherzo was suitably impassioned and the finale (a set of variations) was taken at a fleet pace, the clarinet line rising and falling over the pedal point and solid underpinning of the piano line.

Massager’s frenzied Solo de Concours, a charming six-minute romp for clarinet, opened the recital and the Chopin Andante Spianato and Grande Polonaise, Op. 22, for solo piano, ended the first half. The first was played with delicious relish by Mr. Manasse, and the second with assured virtuosity by Mr. Nakamatsu. The Chopin has been a signature piece for the San Jose-based pianist, and was featured in his 2011 Santa Rosa recital and on recordings. Virtuosos in the past played the flowing Andante fast and the following Polonaise leisurely, but the pianist adopted the modern practice with a strolling pace (“spun out”) and a quick Polish dance ending. Mr. Nakamatsu gently teased the rhythms in the Polonaise and varied the speed of the few trills and repeats. Just before the final few bars there was spot at the top of a run where the last note was held in a bravura way with the sostenuto pedal. The effect of this and the final five repeated E-Flat notes brought a standing ovation from the 350 in the Church.

Mr. Manasse’s entertaining verbal comments preceded every work in the recital and he playfully called his partner ‘Mr. Nakamazing,” alluded to his past as a piano competition winner and high school teacher of German. The pianist took it all in stride and in the Poulenc Clarinet Sonata the Duo played the charming work from 1962 with aplomb. The Romanza was especially lovely with reflections of the composer’s earlier Les Soirées de Nazelles. The clarinet and pianissimo piano lines moved in perfect balance.

A set of three brief works spotlighting Mr. Manasse concluded the program, including his playing of Stravinsky’s Three Pieces for Clarinet Solo and Charles Goodwin’s Four Views of Clarinet and Piano from 2012. The Four Views is a busy work with syncopated questions and answers from the instruments, with lyrical Coplandesque motives popping in. In places the playing was in café music style and background movie music, turning in the final section to bouncy jazz motives.

The concert ended with another work written for the Duo, John Novacek’s Full Stride Ahead from “Four Rags for Two Jons.” The Duo has been playing this work for many seasons and gave the snazzy piano-voice interplay (from the iconic Ammons/Johnson bluesy stride style) a scintillating interpretation of high-level high jinks that predictably brought down the house.

An encore was demanded and the Duo responded with an arrangement of Gershwin’s I Got Rhythm from the 1930’s musical “Girl Crazy.” Mr. Manasse made a fetching display of squeaks and skips with the clarinet, along with several long glissandos from Mr. Nakamatsu. Clearly they were having a great deal of fun with the piece.

And so did the audience, including many that had heard the duo in the Mill Valley Chamber Series four years ago and who were seen asking the producers for a third appearance of this impeccable pair.