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Chamber
FINAL VOM MUSICIANS CONCERT IN SCHROEDER A SCHUBERT DELIGHT
by Terry McNeill
Saturday, May 12, 2018
It's rare to have the opportunity to compare in a short period two performances of the same major Schubert work, in this case the great B Flat Piano Trio, D. 898. The chance came May 12 when the Valley of the Moon Festival musicians played it in Schroeder, just over a month since the Hallís residen...
Symphony
FERRANDIS BIDS ADIEU WITH MAHLERíS FINAL SYMPHONY
by Steve Osborn
Sunday, May 06, 2018
Sonoma State students in graduation robes posed for pictures and hugged each other at the universityís stone gates on Sunday afternoon, mirroring the prolonged farewells within the universityís Green Music Center, where Bruno Ferrandis bid adieu to the Santa Rosa Symphony after a dozen years at the ...
Symphony
SONIC SPLENDOR AT MARIN SYMPHONY SEASON FINALE
by Abby Wasserman
Tuesday, May 01, 2018
The Marin Symphony Orchestra ended the current season with a flourish, interpreting big and small works by Richard Strauss and Stravinsky. Strauss and Stravinsky were contemporaries for 40 years, but inhabited different worlds. Both composers were affected by cataclysmic changes and war, and musical...
Symphony
ORGAN SYMPHONY IN SSU ORCHESTRA CONCERT IN WEILL
by Terry McNeill
Sunday, April 29, 2018
Though Classical Sonoma seldom reviews student concerts, as ample North Coast concerts keep the staff of 11 reviewers busy. But the chance to hear the Sonoma State University Orchestra tackle St. SaŽnsí majestic Organ Symphony April 29 was a rare opportunity and not easily to be missed. Avec lí...
Recital
HEAVENLY SCHUBERT AND DEMONIC CHOPIN
by Terry McNeill
Saturday, April 21, 2018
One of the anomalies in the long ago ďGolden EraĒ of romantic pianism (about 1905 to 1940) is that the virtuoso giants of the time didnít play Schubert. It took the German pianist Artur Schnabel to bring the beauties of Schuberís work to the publicís attention, and now they seem to be on almost ever...
Symphony
SPLENDID JUPITER AND ZOOMING CONCERTO AT VALLEJO SYMPHONY SEASON FINALE
by Terry McNeill
Sunday, April 15, 2018
Over the past two years the Vallejo Symphony has made big changes, moving from a stark middle school auditorium to the snazzy remodeled 1911-era downtown Empress Theater, and engaging Marc Taddei as its seventh conductor. April 15 was the seasonís final concert of the 86th season. In a programmin...
Chamber
VIRTUOSO CELLO AND GUITAR TRANSCRIPTIONS AT RAC SEBASTOPOL CONCERT
by Terry McNeill
Saturday, April 14, 2018
Listeners and yes even music critics usually prepare for a concert with research, checking recorded performances, looking at artist biographies and even reviewing sheet music. This was a difficult task for the April 14 Redwood Arts Council concert in Sebastopolís Community Church, as the performers...
Chamber
TRIO NAVARRO'S POPULAR FARE IN SCHROEDER HALL CONCERT
by Terry McNeill
Sunday, April 08, 2018
Long time Classical Sonoma readers may recall many Trio Navarro concert reviews that lauded their virtuosity and interest in rarely played repertoire. The April 8 concert in Schroeder Hall before 85 chamber music fans featured sterling performances but had a mostly conservative menu of popular trio...
Recital
KENNER'S ALL POLISH RECITAL HAS PADEREWSKI RARITY
by Abby Wasserman
Sunday, April 08, 2018
Kevin Kennerís April 8 recital at Dominican Universityís Angelico Hall had been advertised as all-Chopin, but he added a detour into another seminal Polish composer-pianist, Paderewski. Several of Mr. Kennerís teachers were Poles, he speaks Polish, and he navigated at the piano both composersí deman...
Symphony
IT'S ALL ABOUT THE VOICE AT SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, April 08, 2018
In an April 8 Santa Rosa Symphony concert filled to the brim with instruments--electric violin, vibraphone, marimba, xylophone, glockenspiel, keyboard samplers, harps, piano and myriad drums, gongs and bells, to say nothing of winds, brass and strings--the instrument that came out on top was the hum...
CHAMBER REVIEW
Valley of the Moon Music Festival: MENDELSSOHN PIANO TRIO / Sunday, August 02, 2015
Monica Huggett, violin

Cynthia Freivogel, violin

Tanya Tomkins, cello

Eric Zivian, fortepiano

Pianist Eric Zivian and Cellist Tanya Tomkins

FROTHY CHAMBER WORKS CONCLUDE VALLEY OF THE MOON FESTIVAL AT HANNA CENTER

by Terry McNeill
Sunday, August 02, 2015

A closing concert for a summer music festival, even a new series such as the Valley of the Moon Music Festival (VMMF), should be a capstone for the series. The recent Chamberfest Concerts at the Green Music Center, with all six Bach Brandenburgs as the finale, are an example.

Artists at the Festival finished the seven-event set August 2 with three mostly light-hearted works that underscored the period instrumental Festival sound. An oddity began the concert, Mozartís B-Flat Major Piano Sonata (K. 570), with a violin obbligato part from an unknown composer. Spohr? Brdgetower? VMMF co-director Eric Zivian was at the replica 1795 piano and Cynthia Miller Freivogel played the violinís reinforcing line without providing any counterpoint.

Ms. Freivogel played constant interjections into the lovely fabric of Mozartís opening Allegro and Adagio with ritards only at the end of phrases and more projection in the concluding Allegretto. Though the new Hanna Boys Center hall is not large, the timid pre-1800 piano sound could be improved by moving the instrument in the future (it can be carried by four people) far closer to the audience.

Chopinís Introduction et Polonaise Brillante, Op. 3, was a surprise addition to the program, and received a performance of infectious rhythmic lift that played off a judicious tempo. Much more rubato and instrumental leaning into the delicious Polish dance cadences than the Mozart came from cellist Tanya Tomkins and Mr. Zivian. The subtle slides in the cello were a perfect fit for this frothy piece, and the audience of 150 responded with a standing ovation.

The Festivalís 1841-era piano was used for the Chopin as well as the Mendelssohn C-Minor Trio, Op. 66, that comprised the second half of the program.

The C Minor Trio is not as popular as the composerís famous D Minor Trio, and though it lacks none of Mendelssohnís signature ebullience and smooth panache, but with gut strings in the violin and cello and a fortepiano the music had small dimensions. But thatís okay and some clangor from the piano is effective. Violinist Monica Huggett joined Ms. Tomkins and Mr. Zivian in the opening Allegro energico that had drama but also for Ms. Huggett intonation problems. The dreamy Andante featured subtle string portamento and pensive interludes, and Ms. Tomkins played delicate crescendos and diminuendos and a fetching ending similar to many of the endings of Mendelssohnís Songs Without Words for solo piano.

The Scherzo was appropriately fleet and resembled the finale of the D Minor Trio in virtuosity. The finale of the C Minor had authority even when the bass register of the piano rattled, and tuning in the gut strings wavered. It was a vigorous finale, moving effortlesly in the coda to C Major and a compelling conclusion that elicited loud applause. There was a substantial sprinkling of young musicians in the audience and Mendelssohnís charming music proved seductive.

Contributing to the Festivalís success was professional management with attractive printed materials, a five-student apprentice program, computerized ticketing and an attentive staff. An encore Festival in 2016?