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Recital
DEDIK'S POTENT BEETHOVEN AND CHOPIN AT SPRING LAKE VILLAGE RECITAL
by Terry McNeill
Monday, September 17, 2018
Anastasia Dedik returned Sept. 17 to the Spring Lake Village Classical Music Series in a recital that featured three familiar virtuoso works in potent interpretations. Chopinís G Minor Ballade hasnít been heard in Sonoma County public concerts since a long-ago Earl Wild performance, and Beethovenís...
Recital
DUO WEST OPENS OCCIDENTAL CONCERT SEASON
by Terry McNeill
Sunday, September 09, 2018
Before a full house at the Occidental Performing Arts Center Sept. 9 the cello-piano Duo West, playing from score throughout, presented a recital that on paper looked stimulating and thoughtful. Beginning with MacDowellís To A Wild Rose (from Woodland Sketches, Op. 51), the transcription by an unan...
Chamber
CELLO-PIANO DUO IN HUSKY SPRING LAKE VILLAGE PROGRAM
by Terry McNeill
Wednesday, September 05, 2018
Two thirds of the way through a stimulating 22-concert season the Spring Lake Village Classical Music Series Sept. 5 presented two splendid cello sonatas before 110 people in the Villageís Montgomery auditorium. A duo for more than a decade, East Bay musicians cellist Monica Scott and pianist Hadle...
Chamber
EXTRAVAGANT FUSION OF STYLES AT CHRIS BOTTI BAND WEILL HALL CONCERT
by Jerry Dibble
Sunday, August 12, 2018
Trumpeter Chris Botti still performs in jazz venues including SF Jazz and The Blue Note, but now appears mostly in cavernous halls or on outdoor stages like the Sonoma State Universityís Green Music Center. He brought his unique road show to the packed Weill Hall August 12 in a concert of effusive e...
Chamber
SCHUBERT "MIT SCHLAG" AT VOM FESTIVAL MORNING CONCERT
by Abby Wasserman
Sunday, July 29, 2018
The spirit of 19th century Vienna was present July 29 on the final day of the Valley of the Moon Music Festival. The Festival in the second half of July glittered with innovative programming and the new, old sound of original instruments played by musicians who love music with historic instruments. ...
Chamber
PASSIONATE BRAHMS-SCHOENBERG MUSIC CLOSES VOM FESTIVAL SUMMER
by Abby Wasserman
Sunday, July 29, 2018
An extraordinary program of chamber music by Brahms and Schoenberg attracted a capacity crowd to the Valley of the Moon Music Festivalís final concert July 29th in Sonomaís Hanna Center. It opened with a richly expressive reading by Festival Laureate violinist Rachell Wong and pianist Jeffrey LaDeur...
Chamber
PRAGUE AND VIENNA PALACE GEMS HIGHLIGHT VOM FESTIVAL CONCERT
by Sonia Morse Tubridy
Saturday, July 28, 2018
The remarkable Valley of the Moon Chamber Music Festival presented a concert called ďKinsky PalaceĒ July 28 on their final Festival weekend in Sonomaís Hanna Center. Two well-known treasures and one lesser gem were programmed. Starting the afternoon offerings were violinist Monica Huggett and Fest...
Chamber
INNOVATIVE CHAMBER WORKS IN HANNA CENTER CONCERT
by Sonia Morse Tubridy
Sunday, July 22, 2018
The Valley of the Moon Music Festival presented a July 22 concert featuring three giants: Haydn, Schubert and Schumann, composers who altered music of their time with creative innovations and artistic vision. In the fourth season the Festivalís theme this year is ďVienna in TransitionĒ, and VOM Fes...
Chamber
VIENNA INSPIRATION FOR VOM FESTIVAL PROGRAM AT HANNA CENTER
by Nicki Bell
Saturday, July 21, 2018
A music-loving audience filled Sonomaís Hanna Center Auditorium July 21 to begin a record weekend of three concerts, produced by the Valley of the Moon Music Festival. The Festivalís theme this summer is ďVenice in Transition Ė From the Enlightenment to the Dawn of ModernismĒ Prior to Saturdayís m...
Chamber
VANHAL QUARTET AT VOM FESTIVAL DISCOVERY AT HANNA CENTER
by Abby Wasserman
Sunday, July 15, 2018
A near-capacity crowd of 220 filled the Sonoma Hanna Boys Center Auditorium July 15 for the opening concert of the fourth Valley of the Moon Music Festival. This Festival presents gems of the Classical and early Romantic periods performed on instruments of the composerís era, which presents a few ch...
CHAMBER REVIEW
Valley of the Moon Music Festival: MENDELSSOHN PIANO TRIO / Sunday, August 02, 2015
Monica Huggett, violin

Cynthia Freivogel, violin

Tanya Tomkins, cello

Eric Zivian, fortepiano

Pianist Eric Zivian and Cellist Tanya Tomkins

FROTHY CHAMBER WORKS CONCLUDE VALLEY OF THE MOON FESTIVAL AT HANNA CENTER

by Terry McNeill
Sunday, August 02, 2015

A closing concert for a summer music festival, even a new series such as the Valley of the Moon Music Festival (VMMF), should be a capstone for the series. The recent Chamberfest Concerts at the Green Music Center, with all six Bach Brandenburgs as the finale, are an example.

Artists at the Festival finished the seven-event set August 2 with three mostly light-hearted works that underscored the period instrumental Festival sound. An oddity began the concert, Mozartís B-Flat Major Piano Sonata (K. 570), with a violin obbligato part from an unknown composer. Spohr? Brdgetower? VMMF co-director Eric Zivian was at the replica 1795 piano and Cynthia Miller Freivogel played the violinís reinforcing line without providing any counterpoint.

Ms. Freivogel played constant interjections into the lovely fabric of Mozartís opening Allegro and Adagio with ritards only at the end of phrases and more projection in the concluding Allegretto. Though the new Hanna Boys Center hall is not large, the timid pre-1800 piano sound could be improved by moving the instrument in the future (it can be carried by four people) far closer to the audience.

Chopinís Introduction et Polonaise Brillante, Op. 3, was a surprise addition to the program, and received a performance of infectious rhythmic lift that played off a judicious tempo. Much more rubato and instrumental leaning into the delicious Polish dance cadences than the Mozart came from cellist Tanya Tomkins and Mr. Zivian. The subtle slides in the cello were a perfect fit for this frothy piece, and the audience of 150 responded with a standing ovation.

The Festivalís 1841-era piano was used for the Chopin as well as the Mendelssohn C-Minor Trio, Op. 66, that comprised the second half of the program.

The C Minor Trio is not as popular as the composerís famous D Minor Trio, and though it lacks none of Mendelssohnís signature ebullience and smooth panache, but with gut strings in the violin and cello and a fortepiano the music had small dimensions. But thatís okay and some clangor from the piano is effective. Violinist Monica Huggett joined Ms. Tomkins and Mr. Zivian in the opening Allegro energico that had drama but also for Ms. Huggett intonation problems. The dreamy Andante featured subtle string portamento and pensive interludes, and Ms. Tomkins played delicate crescendos and diminuendos and a fetching ending similar to many of the endings of Mendelssohnís Songs Without Words for solo piano.

The Scherzo was appropriately fleet and resembled the finale of the D Minor Trio in virtuosity. The finale of the C Minor had authority even when the bass register of the piano rattled, and tuning in the gut strings wavered. It was a vigorous finale, moving effortlesly in the coda to C Major and a compelling conclusion that elicited loud applause. There was a substantial sprinkling of young musicians in the audience and Mendelssohnís charming music proved seductive.

Contributing to the Festivalís success was professional management with attractive printed materials, a five-student apprentice program, computerized ticketing and an attentive staff. An encore Festival in 2016?