Home  Reviews  Articles  Calendar  Presenters  Add Event     
Recital
MTA BENEFIT CONCERT FEATURES FAURE, DVORAK, JANACEK AND BARBER WORKS
by Terry McNeill
Sunday, November 11, 2018
In a splendid concert Nov. 11 the Music Teachers Association of California, Sonoma County Chapter, presented their sixth annual benefit concert before 40 avid listeners in the Santa Rosa home of Helen Howard and Robert Yeats. Highlights of the performances, involving eight musicians in various perf...
Recital
SERKIN'S SINGULAR MOZART AND BACH PLAYING IN WEILL RECITAL
by Terry McNeill
Friday, November 09, 2018
Returning to Weill Hall following a fire-related recital cancellation in 2017, pianist Peter Serkin programmed just three works in his Nov. 7 concert, three masterworks that challenged both artist and audience alike. It needs to be said at the outset that Mr. Serkin takes a decidedly non-standard a...
Chamber
LUMINOUS FAURE TOPS LINCOLN TRIO'S SPRING LAKE VILLAGE CONCERT
by Terry McNeill
Wednesday, November 07, 2018
Familiarity in chamber music often evokes warm appreciation, and it was thus Nov. 7 when the Chicago-based Lincoln Piano Trio made one of their many Sonoma County appearances, this time on the Spring Lake Village Classical Music Series. Regularly presented by local impresario Robert Hayden, the Lin...
Symphony
PEACE AND LOVE FROM THE SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, November 04, 2018
Before the Santa Rosa Symphony’s Nov. 4 performance of Leonard Bernstein’s “Symphonic Dances from West Side Story,” Symphony CEO Alan Silow took a moment to acknowledge the victims of the Pittsburgh synagogue attack and to observe that music offers a more peaceful and loving view of the world. Mr. ...
Chamber
ATOS TRIO IN MILL VALLEY CHAMBER CONCERT
by Abby Wasserman
Sunday, November 04, 2018
When the ATOS Piano Trio planned their all-Russian touring program at their Berlin home base, it had a strong elegiac, even tragic theme that surely resonated with their Mill Valley Chamber Music Society audience Nov. 4 in Mill Valley. Comprised of Annette von Hehn, violin; Thomas Hoppe, piano; and...
Chamber
ATOS TRIO IN OCCIDENTAL CHAMBER CONCERT
by Terry McNeill
Saturday, November 03, 2018
When the Berlin-based ATOS Piano Trio entered the cramped Occidental Performing Arts stage Nov. 3, the audience of 100 anticipated familiar works in the announced all-Russian program. What they got was a selection of rarely-plays trios, with a gamut of emotions. Then one-movement Rachmaninoff G Mi...
Symphony
MIGHTY SHOSTAKOVICH 10TH OPENS MARIN SYMPHONY SEASON
by Terry McNeill
Sunday, October 28, 2018
Just two works were on the opening program of the Marin Symphony’s 67th season Oct. 28, Tchaikovsky’s iconic D Major Violin Concerto, and Shostakovich’s Tenth Symphony. Before a full house in the Marin Center Auditorium conductor Alasdair Neale set a judicious opening tempo in the brief orchestra i...
Symphony
VIVALDI FOR ALL SEASONS IN WEILL BAROQUE CONCERT
by Sonia Morse Tubridy
Saturday, October 27, 2018
The Venice Baroque Orchestra, a dozen superb musicians that include strings, harpsichord and recorder, played an uplifting concert Oct. 27 of mostly Vivaldi sinfonias and concertos. The Weill Hall audience of 600 had rapt attention throughout, and the playing was of the highest musical level. This r...
Recital
LIN'S PIANISM AND PERSONA CHARM SCHROEDER HALL AUDIENCE
by Terry McNeill
Sunday, October 21, 2018
In somewhat of a surprise a sold out Schroeder Hall audience greeted pianist Steven Lin Oct. 21 in his local debut recital. Why a surprise? Because Mr. Lin was pretty much unknown in Northern California, and Schroeder is rarely, very rarely sold out for a single instrumentalist. But no matter, and...
Chamber
HEROIC TRUMPET AND ORGAN MUSIC AT INCARNATION
by Jerry Dibble
Friday, October 12, 2018
The strong connections between Santa Rosa’s musical community and California State University Chico were on display Oct. 12 as David Rothe, Professor Emeritus in the Chico Music Department, and Ayako Nakamura, trumpet with the North State Symphony, presented a concert titled “Heroic Music for Trumpe...
SYMPHONY REVIEW
Sonoma State University Symphony Orchestra / Friday, December 11, 2015
Alexander Kahn, conductor. Marilyn Thompson, piano

Alexander Kahn and Marilyn Thompson Dec. 11

THE LITTLE ORCHESTRA THAT COULD

by Terry McNeill
Friday, December 11, 2015

Hearing a symphony’s inaugural concert is a special event, and the Sonoma State Symphony Orchestra Dec. 11 launched what should be a prosperous musical life with a Weill Hall concert. The University Music Department has had permanent chamber, band and jazz ensembles, but never a flesh-in-the-blood orchestra. Now they do.
"
On paper Composer John Corigliano’s "Voyage" seemed a unique opening, but the eight-minute version for strings passed without much notice or interest. It’s reminiscent of Hovhaness and conductor Alexander Kahn led effectively with the music never rising about a mezzo piano. Eschewing the excitement of a lively season overture, it was an odd choice for a gala event.

Mozart’s D Minor Concerto, K. 466, was another matter, and pianist Marilyn Thompson joined the mix in a scrappy but ultimately satisfying reading of the work from 1785. Listeners wanting pitch-perfect playing with sharp attacks, cutoffs and integrated instrumental entrances would not have found it here, but the sonic balances were good and after the initially unsteady Allegro chords the masterful Mozart drama unfolded well.

Playing from score Ms. Thompson adopted an understated approach to the solo part, preferring elegance to high drama, and here and in the concluding movement played the cadenzas by Adolph Baller. Many (Alkan, Brahms, Beethoven, Busoni) have written cadenzas for the 20th Concerto, and I found Baller’s to be idiomatic and in places provocative, with sharp and unexpected modulations. The Romanze was performed with only limited use of rubato, and Ms. Thompson’s refined playing in the finale was her best of the evening. Marie Vizcaino was a splendid oboist, contrasting with a sporadically overly loud timpanist.

Following the shortest Weill Hall intermission in memory the concert concluded with Beethoven’s First Symphony, the Haydnesque one in C Major (Op. 21) from 1800. The opening “question and answer” pair of chords for winds, horns and plucked strings immediately caught my attention, with cadences that then emerged fully formed in focused playing of the small ensemble of 25. Mr. Kahn drew a good performance throughout, especially in the Menuetto: Allegro where there was welcome section clarity. At times in rapid upward passages the high string notes were blurred, something that will surely diminish with more performances.

Applause at the end was loud and often boisterous, as colleagues of the student musicians yelled for their favorites, and the conductor was returned three times to the stage.

Prior to the Corigliano Mr. Kahn, recently appointed to the SSU faculty, addressed the audience of 300 at length regarding the gestation of the Orchestra and opportunity to join a music department of increasing importance with the Green Center’s halls as a resplendent venue. At a post-concert reception the conductor told of plans for a May, 2016 concert, and the expectation of subsequently four concerts per season. That is a pleasurable prospect for North Bay music lovers.