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Symphony
A SLICE OF HEAVEN FROM THE SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, January 13, 2019
Under its vibrant new music director, Francesco Lecce-Chong, the Santa Rosa Symphony this past Sunday offered a nearly perfect afternoon of Mozart (Symphony No. 40) and Mahler (Symphony No. 4). While the two works share a common digit, the only element uniting them is genius. They made for a dazzlin...
Recital
KHOZYAINOV'S BRILLIANT PIANISM IN MILL VALLEY RECITAL
by Abby Wasserman
Sunday, January 13, 2019
In its third concert of the season the Mill Valley Chamber Music Society Jan. 13 presented Russian virtuoso Nikolay Khozyainov. His intelligent and sensitive interpretations, masterful pedal work, and virtuoso technique left the near-capacity audience in Mt. Tamalpais Methodist Church astounded and ...
Chamber
A COMPLETE MUSICAL PACKAGE IN ARRON'S OAKMONT RECITAL
by Terry McNeill
Thursday, January 10, 2019
Cellist Edward Arron has been a welcome artist at the Music at Oakmont series, and after his Jan. 10 recital it’s easy to understand his popularity. His artistry is a complete package, with potent instrumental technique wedded to integral musical conceptions. In a nearly flawless concert with pian...
Choral and Vocal
COMPELLING WEILL HALL MESSIAH ORATORIO FROM THE ABS
by Terry McNeill
Saturday, December 15, 2018
Each holiday season when a Classical Sonoma reviewer is assigned to cover a concert with Handel’s seminal Oratorio The Messiah, the question arises about what new commentary can possibly apply to the often performed choral work. Well, if it’s the American Bach Soloists performing the piece, written...
Opera
PURCELL'S DIDO IN YOUTHFUL SSU OPERA
by Abby Wasserman
Wednesday, December 05, 2018
A doomed royal love affair, the theme of Purcell’s Dido and Aeneas, was brought to lovely life at Sonoma State University Dec. 5 in the school’s Schroeder Hall. Conducted by faculty member Zachary Gordin, who also played continuo, the performance was only the second opera production presented by the...
Symphony
SANTA ROSA SYMPHONY HERALDS THE HOLIDAYS
by Steve Osborn
Sunday, December 02, 2018
Antlers are typical headgear during the holiday season, but the ushers and one bassist at the Santa Rosa Symphony concert on Dec. 2 sported apples atop their heads. The red fruits were festive but perplexing until the orchestra began Rossini’s “William Tell” overture, at which point even the dull-wi...
Symphony
A HERO'S ODYSSEY IN SO CO PHIL CONCERT
by Art Hofmann
Sunday, November 18, 2018
The audience at the Sonoma County Philharmonic’s Nov. 18 concert was warned at the outset that the old Santa Rosa High School auditorium boiler was turned off, and there was a steady eminently audible tone in the hall. Conductor Norman Gamboa said the tone was an A, a high one. But there it was, a...
Recital
MTA BENEFIT CONCERT FEATURES FAURE, DVORAK, JANACEK AND BARBER WORKS
by Terry McNeill
Sunday, November 11, 2018
In a splendid concert Nov. 11 the Music Teachers Association of California, Sonoma County Chapter, presented their sixth annual benefit concert before 40 avid listeners in the Santa Rosa home of Helen Howard and Robert Yeats. Highlights of the performances, involving eight musicians in various perf...
Recital
SERKIN'S SINGULAR MOZART AND BACH PLAYING IN WEILL RECITAL
by Terry McNeill
Friday, November 09, 2018
Returning to Weill Hall following a fire-related recital cancellation in 2017, pianist Peter Serkin programmed just three works in his Nov. 7 concert, three masterworks that challenged both artist and audience alike. It needs to be said at the outset that Mr. Serkin takes a decidedly non-standard a...
Chamber
LUMINOUS FAURE TOPS LINCOLN TRIO'S SPRING LAKE VILLAGE CONCERT
by Terry McNeill
Wednesday, November 07, 2018
Familiarity in chamber music often evokes warm appreciation, and it was thus Nov. 7 when the Chicago-based Lincoln Piano Trio made one of their many Sonoma County appearances, this time on the Spring Lake Village Classical Music Series. Regularly presented by local impresario Robert Hayden, the Lin...
SYMPHONY REVIEW
Sonoma State University Symphony Orchestra / Friday, December 11, 2015
Alexander Kahn, conductor. Marilyn Thompson, piano

Alexander Kahn and Marilyn Thompson Dec. 11

THE LITTLE ORCHESTRA THAT COULD

by Terry McNeill
Friday, December 11, 2015

Hearing a symphony’s inaugural concert is a special event, and the Sonoma State Symphony Orchestra Dec. 11 launched what should be a prosperous musical life with a Weill Hall concert. The University Music Department has had permanent chamber, band and jazz ensembles, but never a flesh-in-the-blood orchestra. Now they do.
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On paper Composer John Corigliano’s "Voyage" seemed a unique opening, but the eight-minute version for strings passed without much notice or interest. It’s reminiscent of Hovhaness and conductor Alexander Kahn led effectively with the music never rising about a mezzo piano. Eschewing the excitement of a lively season overture, it was an odd choice for a gala event.

Mozart’s D Minor Concerto, K. 466, was another matter, and pianist Marilyn Thompson joined the mix in a scrappy but ultimately satisfying reading of the work from 1785. Listeners wanting pitch-perfect playing with sharp attacks, cutoffs and integrated instrumental entrances would not have found it here, but the sonic balances were good and after the initially unsteady Allegro chords the masterful Mozart drama unfolded well.

Playing from score Ms. Thompson adopted an understated approach to the solo part, preferring elegance to high drama, and here and in the concluding movement played the cadenzas by Adolph Baller. Many (Alkan, Brahms, Beethoven, Busoni) have written cadenzas for the 20th Concerto, and I found Baller’s to be idiomatic and in places provocative, with sharp and unexpected modulations. The Romanze was performed with only limited use of rubato, and Ms. Thompson’s refined playing in the finale was her best of the evening. Marie Vizcaino was a splendid oboist, contrasting with a sporadically overly loud timpanist.

Following the shortest Weill Hall intermission in memory the concert concluded with Beethoven’s First Symphony, the Haydnesque one in C Major (Op. 21) from 1800. The opening “question and answer” pair of chords for winds, horns and plucked strings immediately caught my attention, with cadences that then emerged fully formed in focused playing of the small ensemble of 25. Mr. Kahn drew a good performance throughout, especially in the Menuetto: Allegro where there was welcome section clarity. At times in rapid upward passages the high string notes were blurred, something that will surely diminish with more performances.

Applause at the end was loud and often boisterous, as colleagues of the student musicians yelled for their favorites, and the conductor was returned three times to the stage.

Prior to the Corigliano Mr. Kahn, recently appointed to the SSU faculty, addressed the audience of 300 at length regarding the gestation of the Orchestra and opportunity to join a music department of increasing importance with the Green Center’s halls as a resplendent venue. At a post-concert reception the conductor told of plans for a May, 2016 concert, and the expectation of subsequently four concerts per season. That is a pleasurable prospect for North Bay music lovers.