Home  Reviews  Articles  Calendar  Presenters  Add Event     
Chamber
FLORESTAN TRIO'S MENDELSSOHN AT SPRING LAKE VILLAGE CONCERT
by Terry McNeill
Friday, March 08, 2019
Spring Lake Village’s monthly concerts usually clock in under an hour, but the March 8 Florestan Trio’s performance was more extended as so much good music was on tap for the 125 residents attending at Santa Rosa’s premiere retirement residence facility. Four short pieces made up the first half, be...
Chamber
TILDEN TRIO'S BOHEMIAN ENERGY AT DOMINICAN CONCERT
by Terry McNeill
Sunday, March 03, 2019
Hard on the heels of the Trio Navarro’s late February concert in Sonoma State’s Schroeder Hall, Northern California’s other premiere resident piano trio, the Tilden, played an equally convincing program March 3 in Dominican University’s Angelico Hall. Clearly each hall’s acoustics, stage pianos and...
Recital
24 SONGS IN A MENKE-THOMPSON RECITAL ODYSSEY
by Terry McNeill
Saturday, February 23, 2019
Sonoma County pop and country singing enjoys continued popularity but it rare to see a professional classical vocal concert announced. Diva Ruth Ann Swenson was once a local star, but she has long departed and not much virtuoso recital singing can be found in the North Bay. But the exception to th...
Chamber
UNEXPECTED ARENSKY AND MENDELSSOHN BY THE NAVARRO
by Terry McNeill
Sunday, February 17, 2019
The 100 people entering Schroeder Hall Feb. 17 for a Trio Navarro concert were handed a program that appeared to feature two popular piano trios, Mendelssohn and Arensky. But continuing the Navarro’s tradition of repertoire exploration, the pieces were not the usual first Mendelssohn and first Aren...
Recital
GLOVER'S ECLECTIC PROGRAMMING HIGHLIGHT'S CINNABAR RECITAL
by Terry McNeill
Sunday, February 17, 2019
Daniel Glover is arguably the busiest virtuoso pianist in the San Francisco Bay area, but rarely is heard in North Bay concerts. So 90 local pianophiles were anxious to hear him Feb. 17 in Petaluma’s charming small Cinnabar Theater, and they were rewarded with an eclectic program of sometimes unfam...
Symphony
MENDELSSOHN'S SCOTTISH SAVES THE EVENING IN SRS WEILL CONCERT
by Terry McNeill
Monday, February 11, 2019
The audience entering Weill Hall for Santa Rosa Symphony concerts Feb. 9-11 were presented with a program that on first glance appeared a curious patchwork – a great symphony mixed with a seldom heard concerto and two disparate overtures, and a guest conductor unknown locally. Monday night’s concer...
Recital
INTRIGUING BELL-HAYWOOD RECITAL BEFORE FULL HOUSE IN WEILL HALL
by Abby Wasserman
Friday, February 08, 2019
A big portion of the capacity audience in Weill Hall February 8th came to hear violinist Joshua Bell’s virtuosity, and were treated as well to splendid playing from Sam Haywood, Mr. Bell’s regular pianist since 2010. The duo performed three engaging sonatas, highlighted by Mr. Bell’s sterling techn...
Symphony
TRIPLE PLAY UKIAH SYMPHONY CONCERT AND TCHAIKOVSKY SERENADE
by Terry McNeill
Sunday, January 27, 2019
Over the years the Ukiah Symphony’s concerts have been in the Classical Sonoma Calendar sections, but rarely has this Orchestra, now in its 39th season, had a full winter season concert review. The provocative Jan. 27 program in Mendocino College’s Center Theater seemed a good reason to reacquaint ...
Symphony
JACKSON THEATER WELCOMES A NEW RESIDENT ORCHESTRA
by Terry McNeill
Saturday, January 26, 2019
Moving to a permanent new performance venue can be a perilous undertaking for an orchestra, with different acoustics, the loyal audience finding the new spot and infrastructure challenges of lighting and lobby and backstage operations. In their first concert Jan. 26 in Windsor’s Jackson Theater the...
Symphony
ECLECTIC PASSIONATE PROGRAMMING AT MARIN SYMPHONY CONCERT
by Abby Wasserman
Saturday, January 26, 2019
The Marin Symphony’s second Masterworks concert of the 2018-19 season featured works by John Adams, Sibelius and Brahms, a masterful assembly. In a spoken introduction before the program’s first half, conductor Alasdair Neale primed the audience for the “terra incognita” of Adams’ The Chairman Dance...
SYMPHONY REVIEW
Sonoma State University Symphony Orchestra / Friday, December 11, 2015
Alexander Kahn, conductor. Marilyn Thompson, piano

Alexander Kahn and Marilyn Thompson Dec. 11

THE LITTLE ORCHESTRA THAT COULD

by Terry McNeill
Friday, December 11, 2015

Hearing a symphony’s inaugural concert is a special event, and the Sonoma State Symphony Orchestra Dec. 11 launched what should be a prosperous musical life with a Weill Hall concert. The University Music Department has had permanent chamber, band and jazz ensembles, but never a flesh-in-the-blood orchestra. Now they do.
"
On paper Composer John Corigliano’s "Voyage" seemed a unique opening, but the eight-minute version for strings passed without much notice or interest. It’s reminiscent of Hovhaness and conductor Alexander Kahn led effectively with the music never rising about a mezzo piano. Eschewing the excitement of a lively season overture, it was an odd choice for a gala event.

Mozart’s D Minor Concerto, K. 466, was another matter, and pianist Marilyn Thompson joined the mix in a scrappy but ultimately satisfying reading of the work from 1785. Listeners wanting pitch-perfect playing with sharp attacks, cutoffs and integrated instrumental entrances would not have found it here, but the sonic balances were good and after the initially unsteady Allegro chords the masterful Mozart drama unfolded well.

Playing from score Ms. Thompson adopted an understated approach to the solo part, preferring elegance to high drama, and here and in the concluding movement played the cadenzas by Adolph Baller. Many (Alkan, Brahms, Beethoven, Busoni) have written cadenzas for the 20th Concerto, and I found Baller’s to be idiomatic and in places provocative, with sharp and unexpected modulations. The Romanze was performed with only limited use of rubato, and Ms. Thompson’s refined playing in the finale was her best of the evening. Marie Vizcaino was a splendid oboist, contrasting with a sporadically overly loud timpanist.

Following the shortest Weill Hall intermission in memory the concert concluded with Beethoven’s First Symphony, the Haydnesque one in C Major (Op. 21) from 1800. The opening “question and answer” pair of chords for winds, horns and plucked strings immediately caught my attention, with cadences that then emerged fully formed in focused playing of the small ensemble of 25. Mr. Kahn drew a good performance throughout, especially in the Menuetto: Allegro where there was welcome section clarity. At times in rapid upward passages the high string notes were blurred, something that will surely diminish with more performances.

Applause at the end was loud and often boisterous, as colleagues of the student musicians yelled for their favorites, and the conductor was returned three times to the stage.

Prior to the Corigliano Mr. Kahn, recently appointed to the SSU faculty, addressed the audience of 300 at length regarding the gestation of the Orchestra and opportunity to join a music department of increasing importance with the Green Center’s halls as a resplendent venue. At a post-concert reception the conductor told of plans for a May, 2016 concert, and the expectation of subsequently four concerts per season. That is a pleasurable prospect for North Bay music lovers.