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Chamber
HEROIC TRUMPET AND ORGAN MUSIC AT INCARNATION
by Jerry Dibble
Friday, October 12, 2018
The strong connections between Santa Rosa’s musical community and California State University Chico were on display Oct. 12 as David Rothe, Professor Emeritus in the Chico Music Department, and Ayako Nakamura, trumpet with the North State Symphony, presented a concert titled “Heroic Music for Trumpe...
Symphony
LECCE-CHONG PROVES HIS METTLE WITH SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, October 07, 2018
Francesco Lecce-Chong was handed two warhorses for his debut as conductor of the Santa Rosa Symphony, and he rode them both to thrilling victory. For the first win, Brahms’ violin concerto, he owed much to soloist Arnaud Sussman, but for the other triumph, Beethoven’s fifth symphony, he and his musi...
Chamber
THORNY BARTOK AND ELEGANT MENDELSSOHN FOR THE BRENTANO
by Sonia Morse Tubridy
Sunday, September 30, 2018
In a minor masterpiece of programming choices the Brentano String Quartet played a Sept. 30 Weill Hall program with an emphasis on refinement, even with a challenging Bartok work in the mix. Dvorák’s Miniatures for Two Violins and Viola (Op. 75a) opened the concert with charm and gentle loveliness,...
Chamber
ECHO'S RICH MUSICAL TAPESTRY IN MARIN
by Abby Wasserman
Sunday, September 30, 2018
Marin’s Echo Chamber Orchestra unfurled a glorious tapestry of Mozart, Weber and Respighi music Sept. 30 in San Anselmo’s First Presbyterian Church. The church, located on the grounds of San Francisco Theological Seminary, boasts a ceiling high enough for angels to fly, and its quiet setting and aco...
Recital
IDIOMATIC SCHUMANN AND BEETHOVEN HIGHTLIGHT WALKER'S CONCERTS GRAND RECITAL
by Terry McNeill
Sunday, September 23, 2018
Mostly known as a concert producer and indefatigable promoter of Sonoma County music, pianist Judy Walker stepped into the soloist’s role Sept. 23 in a sold out recital for the Concerts Grand House recitals series. Two Scarlatti Sonatas, in D Minor (K. 213) and D Major (K. 29), began the hour-long ...
Symphony
SAKAKEENY'S LION AND ROSE HIGHLIGHTS SO CO PHIL'S 20TH SEASON OPENER
by Terry McNeill
Saturday, September 22, 2018
Fresh from a triumphant tour in Latin America the Sonoma County Philharmonic opened its 20th season Sept. 22 in a celebratory concert in the Santa Rosa High School Auditorium. Keeping to the evening’s orchestra history and past performance, conductor emeritus Gabriel Sakakeeny, who led the So Co Ph...
Recital
DEDIK'S POTENT BEETHOVEN AND CHOPIN AT SPRING LAKE VILLAGE RECITAL
by Terry McNeill
Monday, September 17, 2018
Anastasia Dedik returned Sept. 17 to the Spring Lake Village Classical Music Series in a recital that featured three familiar virtuoso works in potent interpretations. Chopin’s G Minor Ballade hasn’t been heard in Sonoma County public concerts since a long-ago Earl Wild performance, and Beethoven’s...
Recital
DUO WEST OPENS OCCIDENTAL CONCERT SEASON
by Terry McNeill
Sunday, September 09, 2018
Before a full house at the Occidental Performing Arts Center Sept. 9 the cello-piano Duo West, playing from score throughout, presented a recital that on paper looked stimulating and thoughtful. Beginning with MacDowell’s To A Wild Rose (from Woodland Sketches, Op. 51), the transcription by an unan...
Chamber
CELLO-PIANO DUO IN HUSKY SPRING LAKE VILLAGE PROGRAM
by Terry McNeill
Wednesday, September 05, 2018
Two thirds of the way through a stimulating 22-concert season the Spring Lake Village Classical Music Series Sept. 5 presented two splendid cello sonatas before 110 people in the Village’s Montgomery auditorium. A duo for more than a decade, East Bay musicians cellist Monica Scott and pianist Hadle...
Chamber
EXTRAVAGANT FUSION OF STYLES AT CHRIS BOTTI BAND WEILL HALL CONCERT
by Jerry Dibble
Sunday, August 12, 2018
Trumpeter Chris Botti still performs in jazz venues including SF Jazz and The Blue Note, but now appears mostly in cavernous halls or on outdoor stages like the Sonoma State University’s Green Music Center. He brought his unique road show to the packed Weill Hall August 12 in a concert of effusive e...
RECITAL REVIEW
Mastercard Performance Series / Friday, March 11, 2016
Lawrence Brownlee, tenor

Tenor Lawrence Brownlee

STUNNING BROWNLEE RECITAL IN WEILL CAPPED BY HIGH C'S

by Peter Benecke
Friday, March 11, 2016

Tenor Lawrence Brownlee gave a March 11 Weill Hall recital that treated those who were willing to brave the elements to an evening of great artistry, sensitivity and vocal perfection. The musical world has come to expect seamless agility, vocal fireworks and seemingly endless high notes from the bel canto tenor, and with his flawless technique, Mr. Brownlee demonstrated these qualities and more in an evening of intimate lyricism and heartfelt communication.

The program opened with four songs from a well-known collection of 24 early Italian songs and Arias. These are often considered beginner’s pieces, yet here they were a lesson in mastery of style and expression. Mr. Brownlee showed impeccable style and technique with each one. These were followed by two Bellini songs in which Mr. Brownlee demonstrated himself to be a master of legato singing. The second of these, “La Ricordanza,” is an almost mirror image of the famous melody from the opera I Puritani, “Qui la Voce,” beloved as a soprano aria for its haunting beauty.

With pianist John Churchwell, Mr. Brownlee had found a worthy partner. His tour de force performance of the introduction to Rossini’s beloved concert piece” La Danza” could have stood alone, with Mr. Churchwell leaving the keyboard nearly smoking! Mr. Brownlee was equal to the challenge of the opening salvo and matched its brilliance with a vocal presentation that left listeners nearly breathless. The tenor clearly had fun with it and brought the audience to cheers. This was followed by two more of Rossini’s more lyric pieces of depth and expression, “L’esule” and “La Lontananza.” Rossini was a singer himself and his vocal works show a variety of moods and colors, ideally suited to the voice.

The first half finished with two favorite Neapolitan songs by Tosti, “L’ideale” and “Marechiare,” and they were enthusiastically received by an audience that was now well aware that they were hearing a special and unique evening of singing.

After intermission the artist announced that he was going to “break down the fourth wall.” With a few words he transformed the opulent Weill into an intimate space where every person felt that the tenor sang for him or her alone. He started with a set of Irish lyrics arranged by his friend Ben Moore. Mr. Moore is a singer and originally wrote the songs for himself, but after meeting and working with Mr. Brownlee, set them in higher keys to suit a high tenor voice. The resulting extraordinary pieces on texts by James Joyce and William Butler Yeats combine classical style with blues and jazz elements. Mr. Brownlee sang them with exquisite dynamic control.

Keeping the spirit of the broken fourth wall, Mr. Brownlee invited the audience members to sing along in “It Ain’t Necessarily So” from Gershwin’s iconic Porgy and Bess, followed by masterful presentation of Sportin’ Life’s aria from that same opera, “There’s a Boat Dat’s Leaving Soon For New York.”

The final offering on the program was a set of spirituals given modern settings by composer Damien Sneed. It was here that Mr. Brownlee opened his heart, sharing with the audience the story of his mother’s favorite song “Sinner Please Don’t Let This Harvest Pass” and speaking openly as a father of the challenge of his international career that takes him away from home for so much of his young children’s lives. “All Night, All Day (Angels Watchin’ Over Me)” he has nicknamed “Caleb’s Song,” for the five-year old son he so often leaves behind while touring.

Bowing to the enthusiastic applause, Mr. Brownlee returned to the stage for an encore. Without introduction and to the audience’s evident delight, he began the aria “Ah mes amis” from Donizetti’s opera Daughter of the Regiment, famous for its nine high Cs! With astonishing ease, after a full program of demanding, virtuosic singing, Mr. Brownlee conquered them all, holding the final high note so long that the audience was left gasping for air and leaping to its feet as one!