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Symphony
SPLENDID JUPITER AND ZOOMING CONCERTO AT VALLEJO SYMPHONY SEASON FINALE
by Terry McNeill
Sunday, April 15, 2018
Over the past two years the Vallejo Symphony has made big changes, moving from a stark middle school auditorium to the snazzy remodeled 1911-era downtown Empress Theater, and engaging Marc Taddei as its seventh conductor. April 15 was the season’s final concert of the 86th season. In a programmin...
Chamber
VIRTUOSO CELLO AND GUITAR TRANSCRIPTIONS AT RAC SEBASTOPOL CONCERT
by Terry McNeill
Saturday, April 14, 2018
Listeners and yes even music critics usually prepare for a concert with research, checking recorded performances, looking at artist biographies and even reviewing sheet music. This was a difficult task for the April 14 Redwood Arts Council concert in Sebastopol’s Community Church, as the performers...
Chamber
TRIO NAVARRO'S POPULAR FARE IN SCHROEDER HALL CONCERT
by Terry McNeill
Sunday, April 08, 2018
Long time Classical Sonoma readers may recall many Trio Navarro concert reviews that lauded their virtuosity and interest in rarely played repertoire. The April 8 concert in Schroeder Hall before 85 chamber music fans featured sterling performances but had a mostly conservative menu of popular trio...
Recital
KENNER'S ALL POLISH RECITAL HAS PADEREWSKI RARITY
by Abby Wasserman
Sunday, April 08, 2018
Kevin Kenner’s April 8 recital at Dominican University’s Angelico Hall had been advertised as all-Chopin, but he added a detour into another seminal Polish composer-pianist, Paderewski. Several of Mr. Kenner’s teachers were Poles, he speaks Polish, and he navigated at the piano both composers’ deman...
Symphony
IT'S ALL ABOUT THE VOICE AT SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, April 08, 2018
In an April 8 Santa Rosa Symphony concert filled to the brim with instruments--electric violin, vibraphone, marimba, xylophone, glockenspiel, keyboard samplers, harps, piano and myriad drums, gongs and bells, to say nothing of winds, brass and strings--the instrument that came out on top was the hum...
Chamber
VOM FESTIVAL TRIO CHARMS WITH CHAMBER MIX, AND HUMMEL
by Terry McNeill
Saturday, March 31, 2018
At the core of the group of Valley of the Moon Music Festival (VOM) musicians is an ensemble of trios and duos, and as a trio March 31 Festival founders cellist Tanya Tomkins and pianist Eric Zivian joined British violinist Monica Huggett for a chamber music concert in the Green Music Center’s Schro...
Choral and Vocal
GOOD FRIDAY REQUIEM FILLS INCARNATION
by Terry McNeill
Friday, March 30, 2018
Maurice Duruflé’s short and intense Requiem has been heard in Santa Rosa’s Church of the Incarnation before, but the March 30 Good Friday performance was stripped down in the number of performers, combining Cantiamo Sonoma and the St. Cecilia Choir with musical underpinning from organist Robert Youn...
Symphony
HAMELIN'S HUSKY MOOD IN SCHROEDER RECITAL
by Terry McNeill
Sunday, March 25, 2018
Convention in piano recitals has the artist coming on stage and playing. Canadian pianist Charles Richard-Hamelin walked on Schroeder Hall’s stage March 25 and didn’t play for six minutes, chatting with the audience. A risk for some artists. Then most programs include a contemporary or rarely play...
Recital
VIRTUOSIC VARIATIONS IN MORGAN'S SCHROEDER ORGAN RECITAL
by Paul Blanchard
Sunday, March 18, 2018
Organist Robert Huw Morgan’s artistry spun through the web of early variation form in a Mar. 18 recital on Schroeder Hall’s wonderful Brombaugh organ. Mr. Morgan, Stanford University’s resident organist, performs a wide range of repertoire, but as he said in comments to the audience, he loves when h...
Symphony
ORFF AND HINDEMITH SONIC SPLENDOR AT FINAL SO CO PHIL CONCERT
by Terry McNeill
Saturday, March 17, 2018
Sonoma County Philharmonic concerts are continually artistically successful but on the Santa Rosa High School’s stage the orchestra rarely numbers above 40, and in the 900-seat hall audiences can be scant. Violinists can be in short supply. An opposite scene occurred at the March 17/18 concert set...
CHORAL AND VOCAL REVIEW
Church of the Incarnation / Friday, March 25, 2016
St. Cecilia Choir, Cantiamo Sonoma, Incarnation Chamber Orchestra and soprano Claire Frydenlund. Carol Menke, conductor

Carol Menke (left) lauds performers after March 25 Requiem performance

RUTTER REQUIEM PERFORMANCE ENNOBLES GOOD FRIDAY CONCERT AT INCARNATION

by Terry McNeill
Friday, March 25, 2016

There is a lot to like in John Rutter’s Requiem. Composed in 1985, it’s arguably the most performed large choral work of recent times, and it was a labor of love for choral director Carol Menke’s musicians in a memorable Good Friday concert in Santa Rosa’s Church of the Incarnation.

Splendid Requiems seem perfectly suited to Incarnation, and I recall recent Duruflé and Cherubini versions, and another Rutter directed by effervescent Ms. Menke three years ago. The March 25 concert before a standing room audience was a radiant transversal of the short 45-minute score that involved Cantiamo Sonoma and the St. Cecilia Choir, a tiny orchestra and soloist soprano Claire Frydenlund.

Rutter’s warmly accessible work comprises seven movements with Latin liturgy and additional texts in English, and in this performance 24 singers with Robert Young’s organ (often in pedal point) combined with six musicians under Ms. Menke’s deft control. Timpanist John Weeks, harpist Wendy Tamis and flutist Jane Shelly played well in the opening Introit and Kyrie, though choir entrances sporadically were ragged and the ensemble initially unsteady but quickly settled down.

The somber “Out of the Deep” began with a moving lament from cellist Laura McLellan that wove in and out of the vocal fabric, and the antiphonal effects in the small sanctuary were clear. Ms. Frydenlund’s soprano had greater resonance and command when she sang at the top of her range, over long organ, cello and harp phrases.

The celebratory Sanctus was enlivened all the more by Tim Dent's’ glockenspiel playing, a contrast to the dirge-like Agnus Dei with an extended and haunting flute solo by Ms. Shelly. Psalm 23 is the text for the bucolic sixth part (“The Lord is My Shepherd”) where the rich Andante vocal lines blossomed out of an extended fabric of elegant oboe playing by Laura Reynolds.

In the finale Lux Aeterna Ms. Frydenlund, singing from the choir, returned with a chaste duo with the flute and soft timpani. Here the music became glowing and presented a transfiguring effect on the audience.

After the last notes Ms. Menke’s hands slowly returned to rest, and as she turned to acknowledge the rapt hearers, there was no response for at least ten seconds before ovation broke the silence. The conductor, Sonoma County’s busiest and best-known soprano, has developed a penchant for producing captivating requiem performances that ennoble their calendar season, composer and community.