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Chamber
THREE SONG CYCLES HIGHLIGHT VIBRANT SLV RECITAL
by Pamela Hicks-Gailey
Wednesday, May 08, 2019
An ambitious recital of vocal and piano music was presented May 8 at Santa Rosaís Spring Lake Village by mezzo-soprano Kindra Scharich and pianist Jeffrey LaDeur. The duo engaged the enthusiastic audience with scholarly friendliness and artistry in performances of Beethoven's short cycle of six song...
Symphony
ALEXANDER TORADZE DELIVERS A LESSON IN SERENITY
by Steve Osborn
Sunday, May 05, 2019
An entire concerto movement consisting of serene piano melodies over a soothing backdrop is probably not the first thing that springs to mind when seeing Shostakovichís name on an orchestra program, but thatís exactly what pianist Alexander Toradze delivered--twice--at Sundayís Santa Rosa Symphony c...
Symphony
MARIN SYMPHONY SEASON CLOSES WITH AUTUMNAL ELGAR AND THEATRICAL BEETHOVEN
by Abby Wasserman
Sunday, April 28, 2019
Mozartís enchanting Overture to his opera The Magic Flute, a miniature tapestry of gems from the 1791 work, opened the Marin Symphonyís final concert of the 2018-2019 season. Under conductor Alasdair Neale, the playing of the sprightly seven-minute piece by a reduced-size classical ensemble sparkled...
Recital
SHAHAM-EGUCHI DUO'S EXCITING MUSICAL GENEROSITY IN WEILL
by Abby Wasserman
Friday, April 26, 2019
Violinist Gil Shaham may be the most modest virtuoso on the concert stage today, and it is the great music he most wishes to put forward, never himself. Generosity, a quality he is known for, was abundantly clear in Weill Hall April 26 when he performed, with pianist Akira Eguchi, a generous program...
Recital
GLITTERING PIANISM IN LI'S OAKMONT RECITAL
by Terry McNeill
Thursday, April 11, 2019
Piano prodigies have always been a fascination for the music public, and the greatest of them (some were Mozart, Mendelssohn, Liszt, Saint SaŽns, Hofmann) went on to legendary fame. George Li, who made is local debut at a Music at Oakmont recital April 11, was a remarkable recent keyboard prodigy t...
Symphony
SO CO PHIL'S SEASON CLOSER WITH EXPANSIVE PROKOFIEV 5TH IN JACKSON
by Terry McNeill
Sunday, April 07, 2019
Closing their 20th season with their usual programming aplomb, the Sonoma County Philharmonic played a provocative set of concerts April 6 and 7 in the Jackson Theater, the Orchestraís new home at the Sonoma Country Day School by the Sonoma County Airport. Local composer Nolan Gasserís Sonoma Overt...
Choral and Vocal
SISTINE CHAPEL INSPIRATION FOR THE TALLIS SCHOLARS IN WEILL HALL
by Sonia Morse Tubridy
Friday, April 05, 2019
Returning to Weill Hall April 5 after a seven year absence, the ten singers of the Tallis Scholars brought the sacred choral tradition of Palestrina and his contemporaries to an audience of delighted music lovers. Under the direction of Peter Phillips, the 1973 founder of the group, the program was...
Symphony
AUTUMNAL SIBELIUS 7TH HIGHLIGHTS VSO'S SEASON CLOSING CONCERT
by Terry McNeill
Sunday, March 31, 2019
Closing their 87th Season March 30 and 31 the Vallejo Symphony has moved from a single weekend concert to a set of two, and the late March response was two full houses in the charming downtown Vallejo Empress Theater. Conductor Marc Taddei opened the Sunday program with a rousing performance of B...
Recital
SHARED INSTRUMENTAL BEAUTY IN VIEAUX-MEYERS WEILL HALL CONCERT
by Abby Wasserman
Saturday, March 30, 2019
Exciting timbral sound and intricate counterpoint, made possible when two artists with complementary instruments play together, were richly explored by violinist Anne Akiko Meyers and guitarist Jason Vieaux March 30 in Weill Hall. Whether in close harmony, or unison, or weaving separate melodies to...
Chamber
RARE MAHLER QUARTET AT MILL VALLEY CHAMBER CONCERT
by Abby Wasserman
Sunday, March 24, 2019
Piano quartets are relatively rare in the classical literature, and there are only about 40 compositions for the combination of piano, violin, viola and cello, mostly from the Romantic period of the mid to late 1800s. It therefore was special March 24 to hear three great works of this medium, perfor...
SYMPHONY REVIEW
Sonoma County Philharmonic / Saturday, September 24, 2016
Norman Gamboa, conductor

Conductor Norman Gamboa

PRANKS AND HEROES IN SEASON OPENING SOCOPHIL CONCERT

by Alan Bloom
Saturday, September 24, 2016

The Sonoma County Philharmonic Orchestra prides itself on its informality. There is no dress code for concerts, as you could easily see at their Sept. 24 "Pranksters and Heroes" concert. They don't have an elegant, imposing concert hall, and while their venue at the Santa Rosa High School has excellent acoustics, itís not cozy and is the kind of place that anyone can visit without feeling out of place. That is all by design. They want everyone, not just seasoned concertgoers, to feel welcome and come and enjoy classical music.

The informality does not extend to the quality of the playing. The volunteer professional musicians clearly love what they are doing and play to a high standard. That was evident in the eveningís first work, Straussí "Till Eulenspiegel's Merry Pranks". The various soloists seemed to be having fun with their musical interpretations of the protagonist's mischievous escapades. I heard audience members chuckling at one of concertmaster Pam Otsuka's solos that sounded like Till laughing after one of his pranks.

All three works on the program stretched the So Co Philís virtuosity, both on a technical level and in the interpretations from conductor Norman Gamboa. Stravinskyís Pulcinella Suite from the 1920 Commedia DellíArte ballet is from the composer's short neo-classical period and uses unique harmonies and rhythms. While not as symphonically complicated as the composerís iconic "Rite of Spring," it is nevertheless a contrapuntal challenge. The orchestraís performance rose to the occasion. Oboist Chris Krive played beautifully the theme that introduced in the second movement.

The final work transitioned from the "Pranksters" to the "Heroes" section of the concert with Beethoven's E-Flat Major Symphony, Op. 55, known as he Heroic. The Philharmonic doesnít have the polish of a Vienna Philharmonic, but there is something about the magic in a live concert that you don't get from a recording. The tempos in the first Allegro con Brio were brisk and from the famous first two notes to the rousing finale I was taken with Mr. Gamboa's provocative reading. The audience seemed to agree, judging by their standing ovation.

The only disappointment in the afternoon's concert was that the hall appeared to be only half full, and perhaps that had something to do with it being the first concert of the season and competing events in the area. The Orchestraís ticket prices are reasonable, itís subscription audience loyal and each season they are adventurous in programming.