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Symphony
A SLICE OF HEAVEN FROM THE SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, January 13, 2019
Under its vibrant new music director, Francesco Lecce-Chong, the Santa Rosa Symphony this past Sunday offered a nearly perfect afternoon of Mozart (Symphony No. 40) and Mahler (Symphony No. 4). While the two works share a common digit, the only element uniting them is genius. They made for a dazzlin...
Recital
KHOZYAINOV'S BRILLIANT PIANISM IN MILL VALLEY RECITAL
by Abby Wasserman
Sunday, January 13, 2019
In its third concert of the season the Mill Valley Chamber Music Society Jan. 13 presented Russian virtuoso Nikolay Khozyainov. His intelligent and sensitive interpretations, masterful pedal work, and virtuoso technique left the near-capacity audience in Mt. Tamalpais Methodist Church astounded and ...
Chamber
A COMPLETE MUSICAL PACKAGE IN ARRON'S OAKMONT RECITAL
by Terry McNeill
Thursday, January 10, 2019
Cellist Edward Arron has been a welcome artist at the Music at Oakmont series, and after his Jan. 10 recital itís easy to understand his popularity. His artistry is a complete package, with potent instrumental technique wedded to integral musical conceptions. In a nearly flawless concert with pian...
Choral and Vocal
COMPELLING WEILL HALL MESSIAH ORATORIO FROM THE ABS
by Terry McNeill
Saturday, December 15, 2018
Each holiday season when a Classical Sonoma reviewer is assigned to cover a concert with Handelís seminal Oratorio The Messiah, the question arises about what new commentary can possibly apply to the often performed choral work. Well, if itís the American Bach Soloists performing the piece, written...
Opera
PURCELL'S DIDO IN YOUTHFUL SSU OPERA
by Abby Wasserman
Wednesday, December 05, 2018
A doomed royal love affair, the theme of Purcellís Dido and Aeneas, was brought to lovely life at Sonoma State University Dec. 5 in the schoolís Schroeder Hall. Conducted by faculty member Zachary Gordin, who also played continuo, the performance was only the second opera production presented by the...
Symphony
SANTA ROSA SYMPHONY HERALDS THE HOLIDAYS
by Steve Osborn
Sunday, December 02, 2018
Antlers are typical headgear during the holiday season, but the ushers and one bassist at the Santa Rosa Symphony concert on Dec. 2 sported apples atop their heads. The red fruits were festive but perplexing until the orchestra began Rossiniís ďWilliam TellĒ overture, at which point even the dull-wi...
Symphony
A HERO'S ODYSSEY IN SO CO PHIL CONCERT
by Art Hofmann
Sunday, November 18, 2018
The audience at the Sonoma County Philharmonicís Nov. 18 concert was warned at the outset that the old Santa Rosa High School auditorium boiler was turned off, and there was a steady eminently audible tone in the hall. Conductor Norman Gamboa said the tone was an A, a high one. But there it was, a...
Recital
MTA BENEFIT CONCERT FEATURES FAURE, DVORAK, JANACEK AND BARBER WORKS
by Terry McNeill
Sunday, November 11, 2018
In a splendid concert Nov. 11 the Music Teachers Association of California, Sonoma County Chapter, presented their sixth annual benefit concert before 40 avid listeners in the Santa Rosa home of Helen Howard and Robert Yeats. Highlights of the performances, involving eight musicians in various perf...
Recital
SERKIN'S SINGULAR MOZART AND BACH PLAYING IN WEILL RECITAL
by Terry McNeill
Friday, November 09, 2018
Returning to Weill Hall following a fire-related recital cancellation in 2017, pianist Peter Serkin programmed just three works in his Nov. 7 concert, three masterworks that challenged both artist and audience alike. It needs to be said at the outset that Mr. Serkin takes a decidedly non-standard a...
Chamber
LUMINOUS FAURE TOPS LINCOLN TRIO'S SPRING LAKE VILLAGE CONCERT
by Terry McNeill
Wednesday, November 07, 2018
Familiarity in chamber music often evokes warm appreciation, and it was thus Nov. 7 when the Chicago-based Lincoln Piano Trio made one of their many Sonoma County appearances, this time on the Spring Lake Village Classical Music Series. Regularly presented by local impresario Robert Hayden, the Lin...
SYMPHONY REVIEW
Sonoma County Philharmonic / Saturday, September 24, 2016
Norman Gamboa, conductor

Conductor Norman Gamboa

PRANKS AND HEROES IN SEASON OPENING SOCOPHIL CONCERT

by Alan Bloom
Saturday, September 24, 2016

The Sonoma County Philharmonic Orchestra prides itself on its informality. There is no dress code for concerts, as you could easily see at their Sept. 24 "Pranksters and Heroes" concert. They don't have an elegant, imposing concert hall, and while their venue at the Santa Rosa High School has excellent acoustics, itís not cozy and is the kind of place that anyone can visit without feeling out of place. That is all by design. They want everyone, not just seasoned concertgoers, to feel welcome and come and enjoy classical music.

The informality does not extend to the quality of the playing. The volunteer professional musicians clearly love what they are doing and play to a high standard. That was evident in the eveningís first work, Straussí "Till Eulenspiegel's Merry Pranks". The various soloists seemed to be having fun with their musical interpretations of the protagonist's mischievous escapades. I heard audience members chuckling at one of concertmaster Pam Otsuka's solos that sounded like Till laughing after one of his pranks.

All three works on the program stretched the So Co Philís virtuosity, both on a technical level and in the interpretations from conductor Norman Gamboa. Stravinskyís Pulcinella Suite from the 1920 Commedia DellíArte ballet is from the composer's short neo-classical period and uses unique harmonies and rhythms. While not as symphonically complicated as the composerís iconic "Rite of Spring," it is nevertheless a contrapuntal challenge. The orchestraís performance rose to the occasion. Oboist Chris Krive played beautifully the theme that introduced in the second movement.

The final work transitioned from the "Pranksters" to the "Heroes" section of the concert with Beethoven's E-Flat Major Symphony, Op. 55, known as he Heroic. The Philharmonic doesnít have the polish of a Vienna Philharmonic, but there is something about the magic in a live concert that you don't get from a recording. The tempos in the first Allegro con Brio were brisk and from the famous first two notes to the rousing finale I was taken with Mr. Gamboa's provocative reading. The audience seemed to agree, judging by their standing ovation.

The only disappointment in the afternoon's concert was that the hall appeared to be only half full, and perhaps that had something to do with it being the first concert of the season and competing events in the area. The Orchestraís ticket prices are reasonable, itís subscription audience loyal and each season they are adventurous in programming.