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Symphony
SO CO PHIL BON VOYAGE CONCERT AN ODYSSEY OF CONTRASTING SOUND
by Terry McNeill
Friday, June 15, 2018
In a splashy bon voyage concert June 15 the Sonoma County Philharmonic Orchestra launched its June 17-25 Costa Rica tour, performing gratis in Santa Rosaís Jackson Theater the repertoire for tour concerts in San Josť, Costa Ricaís capital, and in surrounding towns. Conductor Norman Gamboa pr...
Chamber
COMMANDING CHOPIN AND DEBUSSY IN SLV RECITAL
by Terry McNeill
Wednesday, June 06, 2018
Concerts at the classy Spring Lake Village Retirement Home in Santa Rosa have admission limited to residents and a few guests, but the chance to hear a first cabin North Bay pianist June 6 brought a Classical Sonoma reviewer into the audience of 100. The crowd numbers were unusually low due to a ba...
Recital
MUSICAL ALCHEMY INSIDE A HIDDEN GEM
by Kayleen Asbo
Friday, May 25, 2018
The Petaluma Historical Library and Museum is a hidden gem of Sonoma County, a gracious†building†that is one of Sonoma Countyís loveliest venues for chamber music concerts, with a fine period piano particularly suited to Romantic music.† Of the surprisingly large array of festivities there, one of t...
Chamber
FINAL VOM MUSICIANS CONCERT IN SCHROEDER A SCHUBERT DELIGHT
by Terry McNeill
Saturday, May 12, 2018
It's rare to have the opportunity to compare in a short period two performances of the same major Schubert work, in this case the great B Flat Piano Trio, D. 898. The chance came May 12 when the Valley of the Moon Festival musicians played it in Schroeder, just over a month since the Hallís residen...
Symphony
FERRANDIS BIDS ADIEU WITH MAHLERíS FINAL SYMPHONY
by Steve Osborn
Sunday, May 06, 2018
Sonoma State students in graduation robes posed for pictures and hugged each other at the universityís stone gates on Sunday afternoon, mirroring the prolonged farewells within the universityís Green Music Center, where Bruno Ferrandis bid adieu to the Santa Rosa Symphony after a dozen years at the ...
Symphony
SONIC SPLENDOR AT MARIN SYMPHONY SEASON FINALE
by Abby Wasserman
Tuesday, May 01, 2018
The Marin Symphony Orchestra ended the current season with a flourish, interpreting big and small works by Richard Strauss and Stravinsky. Strauss and Stravinsky were contemporaries for 40 years, but inhabited different worlds. Both composers were affected by cataclysmic changes and war, and musical...
Symphony
ORGAN SYMPHONY IN SSU ORCHESTRA CONCERT IN WEILL
by Terry McNeill
Sunday, April 29, 2018
Though Classical Sonoma seldom reviews student concerts, as ample North Coast concerts keep the staff of 11 reviewers busy. But the chance to hear the Sonoma State University Orchestra tackle St. SaŽnsí majestic Organ Symphony April 29 was a rare opportunity and not easily to be missed. Avec lí...
Recital
HEAVENLY SCHUBERT AND DEMONIC CHOPIN
by Terry McNeill
Saturday, April 21, 2018
One of the anomalies in the long ago ďGolden EraĒ of romantic pianism (about 1905 to 1940) is that the virtuoso giants of the time didnít play Schubert. It took the German pianist Artur Schnabel to bring the beauties of Schuberís work to the publicís attention, and now they seem to be on almost ever...
Symphony
SPLENDID JUPITER AND ZOOMING CONCERTO AT VALLEJO SYMPHONY SEASON FINALE
by Terry McNeill
Sunday, April 15, 2018
Over the past two years the Vallejo Symphony has made big changes, moving from a stark middle school auditorium to the snazzy remodeled 1911-era downtown Empress Theater, and engaging Marc Taddei as its seventh conductor. April 15 was the seasonís final concert of the 86th season. In a programmin...
Chamber
VIRTUOSO CELLO AND GUITAR TRANSCRIPTIONS AT RAC SEBASTOPOL CONCERT
by Terry McNeill
Saturday, April 14, 2018
Listeners and yes even music critics usually prepare for a concert with research, checking recorded performances, looking at artist biographies and even reviewing sheet music. This was a difficult task for the April 14 Redwood Arts Council concert in Sebastopolís Community Church, as the performers...
SYMPHONY REVIEW
Sonoma County Philharmonic / Saturday, September 24, 2016
Norman Gamboa, conductor

Conductor Norman Gamboa

PRANKS AND HEROES IN SEASON OPENING SOCOPHIL CONCERT

by Alan Bloom
Saturday, September 24, 2016

The Sonoma County Philharmonic Orchestra prides itself on its informality. There is no dress code for concerts, as you could easily see at their Sept. 24 "Pranksters and Heroes" concert. They don't have an elegant, imposing concert hall, and while their venue at the Santa Rosa High School has excellent acoustics, itís not cozy and is the kind of place that anyone can visit without feeling out of place. That is all by design. They want everyone, not just seasoned concertgoers, to feel welcome and come and enjoy classical music.

The informality does not extend to the quality of the playing. The volunteer professional musicians clearly love what they are doing and play to a high standard. That was evident in the eveningís first work, Straussí "Till Eulenspiegel's Merry Pranks". The various soloists seemed to be having fun with their musical interpretations of the protagonist's mischievous escapades. I heard audience members chuckling at one of concertmaster Pam Otsuka's solos that sounded like Till laughing after one of his pranks.

All three works on the program stretched the So Co Philís virtuosity, both on a technical level and in the interpretations from conductor Norman Gamboa. Stravinskyís Pulcinella Suite from the 1920 Commedia DellíArte ballet is from the composer's short neo-classical period and uses unique harmonies and rhythms. While not as symphonically complicated as the composerís iconic "Rite of Spring," it is nevertheless a contrapuntal challenge. The orchestraís performance rose to the occasion. Oboist Chris Krive played beautifully the theme that introduced in the second movement.

The final work transitioned from the "Pranksters" to the "Heroes" section of the concert with Beethoven's E-Flat Major Symphony, Op. 55, known as he Heroic. The Philharmonic doesnít have the polish of a Vienna Philharmonic, but there is something about the magic in a live concert that you don't get from a recording. The tempos in the first Allegro con Brio were brisk and from the famous first two notes to the rousing finale I was taken with Mr. Gamboa's provocative reading. The audience seemed to agree, judging by their standing ovation.

The only disappointment in the afternoon's concert was that the hall appeared to be only half full, and perhaps that had something to do with it being the first concert of the season and competing events in the area. The Orchestraís ticket prices are reasonable, itís subscription audience loyal and each season they are adventurous in programming.