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Chamber
THREE SONG CYCLES HIGHLIGHT VIBRANT SLV RECITAL
by Pamela Hicks-Gailey
Wednesday, May 08, 2019
An ambitious recital of vocal and piano music was presented May 8 at Santa Rosaís Spring Lake Village by mezzo-soprano Kindra Scharich and pianist Jeffrey LaDeur. The duo engaged the enthusiastic audience with scholarly friendliness and artistry in performances of Beethoven's short cycle of six song...
Symphony
ALEXANDER TORADZE DELIVERS A LESSON IN SERENITY
by Steve Osborn
Sunday, May 05, 2019
An entire concerto movement consisting of serene piano melodies over a soothing backdrop is probably not the first thing that springs to mind when seeing Shostakovichís name on an orchestra program, but thatís exactly what pianist Alexander Toradze delivered--twice--at Sundayís Santa Rosa Symphony c...
Symphony
MARIN SYMPHONY SEASON CLOSES WITH AUTUMNAL ELGAR AND THEATRICAL BEETHOVEN
by Abby Wasserman
Sunday, April 28, 2019
Mozartís enchanting Overture to his opera The Magic Flute, a miniature tapestry of gems from the 1791 work, opened the Marin Symphonyís final concert of the 2018-2019 season. Under conductor Alasdair Neale, the playing of the sprightly seven-minute piece by a reduced-size classical ensemble sparkled...
Recital
SHAHAM-EGUCHI DUO'S EXCITING MUSICAL GENEROSITY IN WEILL
by Abby Wasserman
Friday, April 26, 2019
Violinist Gil Shaham may be the most modest virtuoso on the concert stage today, and it is the great music he most wishes to put forward, never himself. Generosity, a quality he is known for, was abundantly clear in Weill Hall April 26 when he performed, with pianist Akira Eguchi, a generous program...
Recital
GLITTERING PIANISM IN LI'S OAKMONT RECITAL
by Terry McNeill
Thursday, April 11, 2019
Piano prodigies have always been a fascination for the music public, and the greatest of them (some were Mozart, Mendelssohn, Liszt, Saint SaŽns, Hofmann) went on to legendary fame. George Li, who made is local debut at a Music at Oakmont recital April 11, was a remarkable recent keyboard prodigy t...
Symphony
SO CO PHIL'S SEASON CLOSER WITH EXPANSIVE PROKOFIEV 5TH IN JACKSON
by Terry McNeill
Sunday, April 07, 2019
Closing their 20th season with their usual programming aplomb, the Sonoma County Philharmonic played a provocative set of concerts April 6 and 7 in the Jackson Theater, the Orchestraís new home at the Sonoma Country Day School by the Sonoma County Airport. Local composer Nolan Gasserís Sonoma Overt...
Choral and Vocal
SISTINE CHAPEL INSPIRATION FOR THE TALLIS SCHOLARS IN WEILL HALL
by Sonia Morse Tubridy
Friday, April 05, 2019
Returning to Weill Hall April 5 after a seven year absence, the ten singers of the Tallis Scholars brought the sacred choral tradition of Palestrina and his contemporaries to an audience of delighted music lovers. Under the direction of Peter Phillips, the 1973 founder of the group, the program was...
Symphony
AUTUMNAL SIBELIUS 7TH HIGHLIGHTS VSO'S SEASON CLOSING CONCERT
by Terry McNeill
Sunday, March 31, 2019
Closing their 87th Season March 30 and 31 the Vallejo Symphony has moved from a single weekend concert to a set of two, and the late March response was two full houses in the charming downtown Vallejo Empress Theater. Conductor Marc Taddei opened the Sunday program with a rousing performance of B...
Recital
SHARED INSTRUMENTAL BEAUTY IN VIEAUX-MEYERS WEILL HALL CONCERT
by Abby Wasserman
Saturday, March 30, 2019
Exciting timbral sound and intricate counterpoint, made possible when two artists with complementary instruments play together, were richly explored by violinist Anne Akiko Meyers and guitarist Jason Vieaux March 30 in Weill Hall. Whether in close harmony, or unison, or weaving separate melodies to...
Chamber
RARE MAHLER QUARTET AT MILL VALLEY CHAMBER CONCERT
by Abby Wasserman
Sunday, March 24, 2019
Piano quartets are relatively rare in the classical literature, and there are only about 40 compositions for the combination of piano, violin, viola and cello, mostly from the Romantic period of the mid to late 1800s. It therefore was special March 24 to hear three great works of this medium, perfor...
CHAMBER REVIEW
Dominican University of California Guest Concert Series / Sunday, February 11, 2018
Tilden Trio. June Choi Oh, piano; Sarn Oliver,violin; Peter Wyrick, cello

Tilden Trio Feb. 11 in Angelico Hall

NOVEL AND FAMILIAR WORKS FROM THE TILDEN TRIO

by Terry McNeill
Sunday, February 11, 2018

North Coast chamber music fans have the luxury of two fine resident piano trios, with the frequently performing Trio Navarro at Sonoma State, and the Tilden Trio at San Rafaelís Dominican University. The Tilden plays less often, but their Feb. 11 performance brought several hundred to Angelico Hall to hear a sterling program.

A novelty opened the concert, Hummelís E-Flat Major Trio, Op. 93, and it was probably a local premiere. There were flashes of his contemporary Beethoven in the expansive allegro, though taken at a slower than usual tempo. Pianist June Choi Oh played with smooth scales and prominence, and Peter Wyrickís cello line sounded full. Violinist Sean Oliver had intonation problems in the initial thematic statements but quickly found his footing.

Hummelís larghetto was played with careful emotion, and in the concluding finale the piano part was quite fast, with the left hand pedal point sporadically blurred (by design?). Much of the music had a fugal character and was a refreshing and convincing break from the more common period trios of Haydn, Mozart and early Beethoven.

From the stage Ms. Oh made announcements and the trio moved to Jennifer Higdonís Pale Yellow, an 8-minute part of a 2003 composition. As with most of this composerís work Pale Yellow was easily approachable, and in this case atmospheric. The cello and violin have the big themes, the latter mostly in the high register. The Tilden played it as a long-line lament, sad but also soaring with soft marching chords from Ms. Oh. Each instrument seamlessly rose and receded into the sonic mix, and this saturated-with-color score finally resolved with the musical sun coming out. A splendid choice.

As a consummate orchestral cellist Mr. Wyrick seldom is in the soloist spotlight, but was in this concert partnering with Ms. Oh and playing Chopinís effervescent Op. 3 Introduction et Polonaise Brillante. It was performed at a very slow tempo and with the cellistís well-known dynamic control, but was not note perfect. The operatic ending (Donizetti? Bellini?) was elegant. He played without score.

Concluding the program was Schubertís seminal first Trio (Op. 99) in B-Flat Major, and here was the best ensemble playing of the afternoon. In the opening allegro a lot is going on, and Mr. Wyrickís projection of the big second theme was lovely. In the famous andante the Tilden choose a pokey tempo, as in the classic Cortot/Casals/Thibaud recording, but as in current interpretations they avoided the latter Trioís uber-romantic ritards and phrasing. The violin and cello duet over a slow rocking piano line was beguiling. There was even a nod towards lšndler-like phrases, playful and exquisite. The scherzo playing was trim, breezy and not overplayed.

Tight ensemble continued in the rondo finale, a long but satisfying collection of lovely themes and effects. Often listeners new to Schubert are perplexed, saying ďnot another repeat!Ē or ďitís so long,Ē but for the Tilden musicians it was a heavenly length. The continual contrasts and urgent piano dissonances were compelling, and the 1828 work finished with flair and loud audience applause.

No encore was offered. Pianist Kevin Kenner continues the Guest Artist Series April 8 in Angelico with an all-Chopin program.