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Chamber
HEROIC TRUMPET AND ORGAN MUSIC AT INCARNATION
by Jerry Dibble
Friday, October 12, 2018
The strong connections between Santa Rosa’s musical community and California State University Chico were on display Oct. 12 as David Rothe, Professor Emeritus in the Chico Music Department, and Ayako Nakamura, trumpet with the North State Symphony, presented a concert titled “Heroic Music for Trumpe...
Symphony
LECCE-CHONG PROVES HIS METTLE WITH SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, October 07, 2018
Francesco Lecce-Chong was handed two warhorses for his debut as conductor of the Santa Rosa Symphony, and he rode them both to thrilling victory. For the first win, Brahms’ violin concerto, he owed much to soloist Arnaud Sussman, but for the other triumph, Beethoven’s fifth symphony, he and his musi...
Chamber
THORNY BARTOK AND ELEGANT MENDELSSOHN FOR THE BRENTANO
by Sonia Morse Tubridy
Sunday, September 30, 2018
In a minor masterpiece of programming choices the Brentano String Quartet played a Sept. 30 Weill Hall program with an emphasis on refinement, even with a challenging Bartok work in the mix. Dvorák’s Miniatures for Two Violins and Viola (Op. 75a) opened the concert with charm and gentle loveliness,...
Chamber
ECHO'S RICH MUSICAL TAPESTRY IN MARIN
by Abby Wasserman
Sunday, September 30, 2018
Marin’s Echo Chamber Orchestra unfurled a glorious tapestry of Mozart, Weber and Respighi music Sept. 30 in San Anselmo’s First Presbyterian Church. The church, located on the grounds of San Francisco Theological Seminary, boasts a ceiling high enough for angels to fly, and its quiet setting and aco...
Recital
IDIOMATIC SCHUMANN AND BEETHOVEN HIGHTLIGHT WALKER'S CONCERTS GRAND RECITAL
by Terry McNeill
Sunday, September 23, 2018
Mostly known as a concert producer and indefatigable promoter of Sonoma County music, pianist Judy Walker stepped into the soloist’s role Sept. 23 in a sold out recital for the Concerts Grand House recitals series. Two Scarlatti Sonatas, in D Minor (K. 213) and D Major (K. 29), began the hour-long ...
Symphony
SAKAKEENY'S LION AND ROSE HIGHLIGHTS SO CO PHIL'S 20TH SEASON OPENER
by Terry McNeill
Saturday, September 22, 2018
Fresh from a triumphant tour in Latin America the Sonoma County Philharmonic opened its 20th season Sept. 22 in a celebratory concert in the Santa Rosa High School Auditorium. Keeping to the evening’s orchestra history and past performance, conductor emeritus Gabriel Sakakeeny, who led the So Co Ph...
Recital
DEDIK'S POTENT BEETHOVEN AND CHOPIN AT SPRING LAKE VILLAGE RECITAL
by Terry McNeill
Monday, September 17, 2018
Anastasia Dedik returned Sept. 17 to the Spring Lake Village Classical Music Series in a recital that featured three familiar virtuoso works in potent interpretations. Chopin’s G Minor Ballade hasn’t been heard in Sonoma County public concerts since a long-ago Earl Wild performance, and Beethoven’s...
Recital
DUO WEST OPENS OCCIDENTAL CONCERT SEASON
by Terry McNeill
Sunday, September 09, 2018
Before a full house at the Occidental Performing Arts Center Sept. 9 the cello-piano Duo West, playing from score throughout, presented a recital that on paper looked stimulating and thoughtful. Beginning with MacDowell’s To A Wild Rose (from Woodland Sketches, Op. 51), the transcription by an unan...
Chamber
CELLO-PIANO DUO IN HUSKY SPRING LAKE VILLAGE PROGRAM
by Terry McNeill
Wednesday, September 05, 2018
Two thirds of the way through a stimulating 22-concert season the Spring Lake Village Classical Music Series Sept. 5 presented two splendid cello sonatas before 110 people in the Village’s Montgomery auditorium. A duo for more than a decade, East Bay musicians cellist Monica Scott and pianist Hadle...
Chamber
EXTRAVAGANT FUSION OF STYLES AT CHRIS BOTTI BAND WEILL HALL CONCERT
by Jerry Dibble
Sunday, August 12, 2018
Trumpeter Chris Botti still performs in jazz venues including SF Jazz and The Blue Note, but now appears mostly in cavernous halls or on outdoor stages like the Sonoma State University’s Green Music Center. He brought his unique road show to the packed Weill Hall August 12 in a concert of effusive e...
SYMPHONY REVIEW
Green Music Center / Sunday, March 25, 2018
Charles Richard-Hamelin, piano

Charles Richard-Hamelin in Schroeder March 25 (JCM Photo)

HAMELIN'S HUSKY MOOD IN SCHROEDER RECITAL

by Terry McNeill
Sunday, March 25, 2018

Convention in piano recitals has the artist coming on stage and playing. Canadian pianist Charles Richard-Hamelin walked on Schroeder Hall’s stage March 25 and didn’t play for six minutes, chatting with the audience. A risk for some artists. Then most programs include a contemporary or rarely played work (Ligeti, Anton Rubinstein, Alkan, Field). Mr. Hamelin programmed just conventional Schumann and Chopin. Another risk, and with easy comparisons with more established pianists than the 29-year old competition winner.

What was not risky was Mr. Hamelin’s musical approach, as he was unconventional in a boisterous and dramatic mood during almost all of the Schumann Op. 18 Arabesque and C Major Fantasia, and the Four Chopin Ballades. He played the C Major Arabesque with the cantabile the 1839 work needs, and used the shift pedal often to color the sound and the two contrasting episodes.

In the famous Fantasia the long first movement unfolded in dramatic fashion, and Mr. Hamelin made it harmonically clear that the key never really resolves into C Major until the last page. Oddly he played three final soft chords where the score indicates only two. An occasional bass doubling again pointed to the work’s complex harmonic structure. It was a powerful reading but never willful. In the marvelous March movement Mr. Hamelin’s pianism was convincing in its energy but less so in tonal beauty. But it’s that kind of movement, and he three times doubled left-hand chords for potent interest, the last before the legendary contrary-motion skips in both hands (which he nailed without apparent fear).

Lovely modulations were highlighted in the dreamy finale, played more rapidly than conventionally, and the small climaxes were carefully shaped. The second chorale theme had beauty, with balanced chords before the last long section began. The three pianissimo chords that end the piece were masterfully even and at soft volume heard to the back of the Hall.

Following intermission Mr. Hamelin again spoke at length to the audience of 150, sometimes indistinctly though using a microphone, and began with the ever-popular Chopin G Minor Ballade, Op. 23. There was a natural rise and fall to the phrasing and general sonic muscle, though the right hand octaves in the repetition of the second theme were played too fast for clarity. This Ballade has a narrative backbone that Mr. Hamelin set out well. Big boned playing continued in the F Major Ballade, a piece where cascades of sonorities were effectively delivered, and the carnage of the final measures led into a quiet and simple ending. Momentum from the previous two Ballades carried over to the A Flat, the most congenial of the four, and was a little out of place. Mr. Hamelin used a lot of damper pedal and pushed the tempo. He is not a colorist and here energy tempted lyricism.

The recital ended with the F Minor Ballade, with the Schumann Fantasia one of the peaks of 19th-Century piano literature, and when played by a seasoned virtuoso it is a cosmos of emotions in fewer than ten minutes. Mr. Hamelin’s conception this afternoon was conventional but never routine, and there was abundant power and voice leading. The tenor section was taken slowly. Before the tumultuous coda the pianist avoided extending the bottom C Major Chord with pedal (the Slavic tradition) prior to the five soft anticipatory chords, and signaled the rushed drive to the finish with impressive fury and clarion speed. On balance it was the best local set of Chopin Ballades since Lang Lang’s Weill Hall 2013 opening concert, and the more recent Nancy Lee Harper traversal for Concerts Grand.

One encore was offered, a transcription (Wilhelm Kempff?) from Bach’s keyboard Concerto in F. It was sensuously played, and a warm change from tempestuous pianistic brilliance of the glorious Ballades.