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Recital
SHAHAM-EGUCHI DUO'S EXCITING MUSICAL GENEROSITY IN WEILL
by Abby Wasserman
Friday, April 26, 2019
Violinist Gil Shaham may be the most modest virtuoso on the concert stage today, and it is the great music he most wishes to put forward, never himself. Generosity, a quality he is known for, was abundantly clear in Weill Hall April 26 when he performed, with pianist Akira Eguchi, a generous program...
Recital
GLITTERING PIANISM IN LI'S OAKMONT RECITAL
by Terry McNeill
Thursday, April 11, 2019
Piano prodigies have always been a fascination for the music public, and the greatest of them (some were Mozart, Mendelssohn, Liszt, Saint Saëns, Hofmann) went on to legendary fame. George Li, who made is local debut at a Music at Oakmont recital April 11, was a remarkable recent keyboard prodigy t...
Recital
SHARED INSTRUMENTAL BEAUTY IN VIEAUX-MEYERS WEILL HALL CONCERT
by Abby Wasserman
Saturday, March 30, 2019
Exciting timbral sound and intricate counterpoint, made possible when two artists with complementary instruments play together, were richly explored by violinist Anne Akiko Meyers and guitarist Jason Vieaux March 30 in Weill Hall. Whether in close harmony, or unison, or weaving separate melodies to...
Recital
24 SONGS IN A MENKE-THOMPSON RECITAL ODYSSEY
by Terry McNeill
Saturday, February 23, 2019
Sonoma County pop and country singing enjoys continued popularity but it rare to see a professional classical vocal concert announced. Diva Ruth Ann Swenson was once a local star, but she has long departed and not much virtuoso recital singing can be found in the North Bay. But the exception to th...
Recital
GLOVER'S ECLECTIC PROGRAMMING HIGHLIGHT'S CINNABAR RECITAL
by Terry McNeill
Sunday, February 17, 2019
Daniel Glover is arguably the busiest virtuoso pianist in the San Francisco Bay area, but rarely is heard in North Bay concerts. So 90 local pianophiles were anxious to hear him Feb. 17 in Petaluma’s charming small Cinnabar Theater, and they were rewarded with an eclectic program of sometimes unfam...
Recital
INTRIGUING BELL-HAYWOOD RECITAL BEFORE FULL HOUSE IN WEILL HALL
by Abby Wasserman
Friday, February 08, 2019
A big portion of the capacity audience in Weill Hall February 8th came to hear violinist Joshua Bell’s virtuosity, and were treated as well to splendid playing from Sam Haywood, Mr. Bell’s regular pianist since 2010. The duo performed three engaging sonatas, highlighted by Mr. Bell’s sterling techn...
Recital
KHOZYAINOV'S BRILLIANT PIANISM IN MILL VALLEY RECITAL
by Abby Wasserman
Sunday, January 13, 2019
In its third concert of the season the Mill Valley Chamber Music Society Jan. 13 presented Russian virtuoso Nikolay Khozyainov. His intelligent and sensitive interpretations, masterful pedal work, and virtuoso technique left the near-capacity audience in Mt. Tamalpais Methodist Church astounded and ...
Recital
MTA BENEFIT CONCERT FEATURES FAURE, DVORAK, JANACEK AND BARBER WORKS
by Terry McNeill
Sunday, November 11, 2018
In a splendid concert Nov. 11 the Music Teachers Association of California, Sonoma County Chapter, presented their sixth annual benefit concert before 40 avid listeners in the Santa Rosa home of Helen Howard and Robert Yeats. Highlights of the performances, involving eight musicians in various perf...
Recital
SERKIN'S SINGULAR MOZART AND BACH PLAYING IN WEILL RECITAL
by Terry McNeill
Friday, November 09, 2018
Returning to Weill Hall following a fire-related recital cancellation in 2017, pianist Peter Serkin programmed just three works in his Nov. 7 concert, three masterworks that challenged both artist and audience alike. It needs to be said at the outset that Mr. Serkin takes a decidedly non-standard a...
Recital
LIN'S PIANISM AND PERSONA CHARM SCHROEDER HALL AUDIENCE
by Terry McNeill
Sunday, October 21, 2018
In somewhat of a surprise a sold out Schroeder Hall audience greeted pianist Steven Lin Oct. 21 in his local debut recital. Why a surprise? Because Mr. Lin was pretty much unknown in Northern California, and Schroeder is rarely, very rarely sold out for a single instrumentalist. But no matter, and...
RECITAL REVIEW
Sky Hill Cultural Alliance / Friday, May 25, 2018
Jura Margulis, piano

Yura Margulis May 25 (K. Asbo Photo)

MUSICAL ALCHEMY INSIDE A HIDDEN GEM

by Kayleen Asbo
Friday, May 25, 2018

The Petaluma Historical Library and Museum is a hidden gem of Sonoma County, a gracious building that is one of Sonoma County’s loveliest venues for chamber music concerts, with a fine period piano particularly suited to Romantic music.  Of the surprisingly large array of festivities there, one of the most anticipated each spring is the annual appearance of pianist Yura Margulis.
 
Mr. Margulis is a professor of piano at the Musica and Arts University in Vienna, and the May 25 recital affirmed his reputation as a stellar artist of Romantic sensibilities. 
 
Mr. Margulis began with comments to the audience on music as language, and in his words, “Music only reveals the truth. It does not lie”. The first half of the program consisted of six Scarlatti sonatas.  These are little baroque jewels, each one revealing a different facet of Mr. Margulis’s charismatic musical personality, from the  plaintive and haunting F Minor to the jaunty and bold military-inspired E Major.  By turns playful, aggressive and tender, Mr. Margulis’s emotional range in this music was truly breathtaking.  If he took liberties of rhythm, articulation and pedaling unimaginable to the Baroque era, his interpretations were still always thought provoking and deeply felt, with a nuanced interweaving of voices.  

The concluding D Minor prestissimo was a marvel of pianistic technique: rapid fire repeated note passages, swirling scales in thirds and perfectly even trills. Evoking the fire of a flamenco dancer (Scarlatti wrote this so-called Iberian sonata while living in Spain) the pianist left audience members gasping in astonishment and laughing with delight and disbelief at his bravura  precision.
 
Following a gracious intermission of gratis wine and cheese, Mr. Margulis turned to Russian music. A performance of Tchaikovsky’s Op. 59 Dumka (from 1886) was redolent with both inward, lyrical sensibility and heroic grandeur. The soulfulness of Russian folksongs emerged in its musical unfolding, seemingly drawing the audience inwards. It was in the four Preludes that concluded the program that true magic emerged. One could not wish for a pianist more deeply connected to the spirit of Rachmaninoff’s music, and each piece unfolded as an enchanting meditation aching with longing. The gossamer delicacy and poignancy of the G-Sharp Minor Prelude (Op. 32, No. 12) wove a spell of wonder, while the concluding G Minor (Op. 23, No. 5) erupted with molten passion.  This last prelude requires the most herculean of keyboard techniques to master its thunderous military octaves and yet demands the most elegant and lyric spirit to render its pleading middle section.

The artist’s virtuosity generated a standing ovation before the final chord, reflecting his potent musical alchemy. Mr. Margulis’s encore was the Scriabin Prelude in C sharp for Left Hand, Op. 9, No. 1. The poetic spirit and rich tone color warmed the heart and could not have been more satisfying.