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Recital
MUSICAL ALCHEMY INSIDE A HIDDEN GEM
by Kayleen Asbo
Friday, May 25, 2018
The Petaluma Historical Library and Museum is a hidden gem of Sonoma County, a gracious building that is one of Sonoma County’s loveliest venues for chamber music concerts, with a fine period piano particularly suited to Romantic music.  Of the surprisingly large array of festivities there, one of t...
Recital
HEAVENLY SCHUBERT AND DEMONIC CHOPIN
by Terry McNeill
Saturday, April 21, 2018
One of the anomalies in the long ago “Golden Era” of romantic pianism (about 1905 to 1940) is that the virtuoso giants of the time didn’t play Schubert. It took the German pianist Artur Schnabel to bring the beauties of Schuber’s work to the public’s attention, and now they seem to be on almost ever...
Recital
KENNER'S ALL POLISH RECITAL HAS PADEREWSKI RARITY
by Abby Wasserman
Sunday, April 08, 2018
Kevin Kenner’s April 8 recital at Dominican University’s Angelico Hall had been advertised as all-Chopin, but he added a detour into another seminal Polish composer-pianist, Paderewski. Several of Mr. Kenner’s teachers were Poles, he speaks Polish, and he navigated at the piano both composers’ deman...
Recital
VIRTUOSIC VARIATIONS IN MORGAN'S SCHROEDER ORGAN RECITAL
by Paul Blanchard
Sunday, March 18, 2018
Organist Robert Huw Morgan’s artistry spun through the web of early variation form in a Mar. 18 recital on Schroeder Hall’s wonderful Brombaugh organ. Mr. Morgan, Stanford University’s resident organist, performs a wide range of repertoire, but as he said in comments to the audience, he loves when h...
Recital
DEDIK RECITAL MARCH 12 IN SPRING LAKE VILLAGE SERIES
by Terry McNeill
Monday, March 12, 2018
Pianist Anastasia Dedik has been an occasional North Coast visitor, playing with her Trio in Ukiah, and in recitals in Sonoma and with the Spring Lake Village series. She returned March 12 to Spring Lake (a retirement community, with Impresario Robert Hayden) in an abbreviated recital before a pack...
Recital
CHOPIN BALLADES FEATURED IN CONCERTS GRAND RECITAL
by Terry McNeill
Saturday, February 24, 2018
Pianist Nancy Lee Harper made an elegant North Coast debut Feb. 24 in the Concerts Grand House Recitals series in a private Santa Rosa home. Ms. Harper, for decades a performer and teacher in Portugal, has recently relocated to Northern California, played an all-Chopin recital that was comprehensiv...
Recital
ROMANTIC MUSIC AND AMBIANCE AT SEB ARTS RECITAL
by Nicki Bell
Sunday, February 18, 2018
Sebastopol had is own musical salon Feb. 18 with visits to Paris of the 1830s, and side trips to Wales and Germany. Pianist Robyn Carmichael presented a concert of favorite romantic masters and their muses, loves and inspirations, with music of Chopin, Liszt Mendelssohn and Schumann. This was no c...
Recital
HAUNTING RACHMANINOFF WORKS IN HU'S MAO RECITAL
by Terry McNeill
Thursday, February 08, 2018
Ching-Yun Hu made a return Music at Oakmont appearance Feb. 8 in Berger Auditorium, reprising a recital she made in the same hall four years ago. Many of the recital’s trappings were the same, but the music Ms. Hu chose to play was decidedly different. All afternoon the pianist was in an aggressiv...
Recital
ZNAIDER-KULEK DUO CHARMS AND CHALLANGES WEILL AUDIENCE FEB. 2
by Terry McNeill
Friday, February 02, 2018
Weill hall has mounted several exceptional piano recitals, with Garrick Ohlsson’s titanic Liszt concert, and of course Lang Lang’s two insouciant but also compelling performances topping the list since 2013. But arguably the virtuoso violinists have on balance been more impressive, and thoughts g...
Recital
HOME RECITAL BACH COMPLETES HOLIDAY SEASON
by Terry McNeill
Saturday, December 30, 2017
The just closing 2017 year was a calamity for many, but locally in music there were joys galore, and it was fitting Dec. 30 have the balm of two Bach’s violin sonatas in a private Guerneville home recital hosted by the eminent musician Sonia Tubridy. Violinist Richard Heinberg joined Ms. Tubridy in...
RECITAL REVIEW
Sky Hill Cultural Alliance / Friday, May 25, 2018
Jura Margulis, piano

Yura Margulis May 25 (K. Asbo Photo)

MUSICAL ALCHEMY INSIDE A HIDDEN GEM

by Kayleen Asbo
Friday, May 25, 2018

The Petaluma Historical Library and Museum is a hidden gem of Sonoma County, a gracious building that is one of Sonoma County’s loveliest venues for chamber music concerts, with a fine period piano particularly suited to Romantic music.  Of the surprisingly large array of festivities there, one of the most anticipated each spring is the annual appearance of pianist Yura Margulis.
 
Mr. Margulis is a professor of piano at the Musica and Arts University in Vienna, and the May 25 recital affirmed his reputation as a stellar artist of Romantic sensibilities. 
 
Mr. Margulis began with comments to the audience on music as language, and in his words, “Music only reveals the truth. It does not lie”. The first half of the program consisted of six Scarlatti sonatas.  These are little baroque jewels, each one revealing a different facet of Mr. Margulis’s charismatic musical personality, from the  plaintive and haunting F Minor to the jaunty and bold military-inspired E Major.  By turns playful, aggressive and tender, Mr. Margulis’s emotional range in this music was truly breathtaking.  If he took liberties of rhythm, articulation and pedaling unimaginable to the Baroque era, his interpretations were still always thought provoking and deeply felt, with a nuanced interweaving of voices.  

The concluding D Minor prestissimo was a marvel of pianistic technique: rapid fire repeated note passages, swirling scales in thirds and perfectly even trills. Evoking the fire of a flamenco dancer (Scarlatti wrote this so-called Iberian sonata while living in Spain) the pianist left audience members gasping in astonishment and laughing with delight and disbelief at his bravura  precision.
 
Following a gracious intermission of gratis wine and cheese, Mr. Margulis turned to Russian music. A performance of Tchaikovsky’s Op. 59 Dumka (from 1886) was redolent with both inward, lyrical sensibility and heroic grandeur. The soulfulness of Russian folksongs emerged in its musical unfolding, seemingly drawing the audience inwards. It was in the four Preludes that concluded the program that true magic emerged. One could not wish for a pianist more deeply connected to the spirit of Rachmaninoff’s music, and each piece unfolded as an enchanting meditation aching with longing. The gossamer delicacy and poignancy of the G-Sharp Minor Prelude (Op. 32, No. 12) wove a spell of wonder, while the concluding G Minor (Op. 23, No. 5) erupted with molten passion.  This last prelude requires the most herculean of keyboard techniques to master its thunderous military octaves and yet demands the most elegant and lyric spirit to render its pleading middle section.

The artist’s virtuosity generated a standing ovation before the final chord, reflecting his potent musical alchemy. Mr. Margulis’s encore was the Scriabin Prelude in C sharp for Left Hand, Op. 9, No. 1. The poetic spirit and rich tone color warmed the heart and could not have been more satisfying.