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Recital
ELEGANT VOCAL MASTERY AT ROSES SIGNATURE RECITAL
by Pamela Hicks Gailey
Sunday, February 25, 2024
Recital
DEMANDING SCHUMANN WORK IN MUSIC AT OAKMONT RECITAL
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Thursday, November 9, 2023
Recital
RARE RAVEL IN MENDO FESTIVAL'S PRESTON HALL
by Terry McNeill
Thursday, July 20, 2023
Recital
FRENCH FLAVOR IN RARE FOUR-HAND RECITAL
by Judy Walker
Sunday, January 15, 2023
Recital
ASSERTIVE PIANISM IN YAKUSHEV'S OCCIDENTAL RECITAL
by Terry McNeill
Sunday, November 13, 2022
Recital
HEROIC LIM PERFORMANCE AT STEINWAY SOCIETY RECITAL
by Abby Wasserman
Sunday, September 18, 2022
Recital
AGGRESSIVE PIANISM IN MYER'S MENDO FESTIVAL RECITAL
by Terry McNeill
Thursday, July 14, 2022
Recital
UNIQUE ELEGANCE IN GALBRAITH GUITAR RECITAL
by Gary Digman
Friday, April 29, 2022
Recital
ALLURING GLASS WORKS IN WEILL RECITAL
by Terry McNeill
Friday, March 25, 2022
Recital
FORGOTTEN BACH SHINES IN YARDEN'S OAKMONT RECITAL
by Terry McNeill
Thursday, March 10, 2022
RECITAL REVIEW

Pianist Judy Walker at Concerts Grand

IDIOMATIC SCHUMANN AND BEETHOVEN HIGHTLIGHT WALKER'S CONCERTS GRAND RECITAL

by Terry McNeill
Sunday, September 23, 2018

Mostly known as a concert producer and indefatigable promoter of Sonoma County music, pianist Judy Walker stepped into the soloist’s role Sept. 23 in a sold out recital for the Concerts Grand House recitals series.

Two Scarlatti Sonatas, in D Minor (K. 213) and D Major (K. 29), began the hour-long event, and she played the first slowly with a lingering character, and the presto D Major with crisp attention to flamenco guitar mood and fast repeated notes in alternating hands. The three inner parts to Schumann’s five-part Op. 26 Faschingschwank aus Wien followed. The wistful and beguiling romanze led easily into the scherzino in B Flat, both performed vigorously. Ms. Walker gave passion to the popular E Flat intermezzo, certainly echt Schumann playing.

Arguably the afternoon’s best playing came in Beethoven’s Les Adieux Sonata, Op. 81a, and according to the artist’s pithy introductory comments it was written in 1809 and was a bridge from the virtuosic Waldstein and Appassionata Sonatas to the seminal and spirited late piano works. Parts of the opening adagio-allegro with its fast staccato chords were a challenge for Ms. Walker, but she played the lovely andante (l’absence) at just the right tempo (not overly slow) and a rich tone.

One of Beethoven’s most joyful movements, the concluding vivacissimament was appropriately exultant and the phrases picked up in momentum towards the end with the cascades of descending and then ascending notes. The pianist clearly had an affinity with this humorous and sprightly music, and the playing received substantial applause.

Though no encore was provided, Balakirev’s arrangement of Glinka’s original song The Lark could have been one. Next to the novel harmonies of the short introduction the main laconic and sad theme was set out by Ms. Walker with clear trills and concise pedaling, allowing the haunting melody to be heard through the pianistic filigree. A captivating performance.

A patio buffet honoring Ms. Walker’s Concerts Grand debut followed the recital.

Among attendees was the artist’s teacher, Peggy Nance, who played a Concerts Grand recital during the inaugural 2003-2004 season in SRJC’s Newman Auditorium.