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SIX GUITARISTS IN UNIQUE NAPA RECITAL
by Gary Digman
Sunday, July 25, 2021
The first Napa Valley Guitar Festival was held at Napa’s First Presbyterian Church July 25, and featured performances from six classical guitarists. The Church is an iconic structure in downtown Napa, its huge white presence dominating the scene, and the white theme continues inside punctuated by be
Chamber
CLARA SCHUMANN TRIO COMMANDS VOM CHAMBER MUSIC CONCERT AT HANNA
by Terry McNeill
Saturday, July 24, 2021
The Valley of the Moon Chamber Music Series has begun several virtual and a few live concerts in its new seventh season, some broadcast from Sonoma’s Hanna Center Hall and some in posh local venues. July 24’s video had a small live audience and a well-produced video program of three works. Titled “
Chamber
EXEMPLARY QUARTET PLAYING IN MENDO FESTIVAL FT. BRAGG CONCERT
by Terry McNeill
Wednesday, July 21, 2021
Faced with the impossibility of presenting concerts in the iconic large white tent on the bluff, the Mendocino Music Festival opted to use Ft. Bragg’s Cotton Auditorium for ten events in the abbreviated 35th season. San Francisco’s Alexander String Quartet played July 21 to a fully masked audience
Chamber
ECLECTIC PROGRAMMING AT PIANOSONOMA CONCERT IN SCHROEDER HALL
by Pamela Hicks Gailey
Tuesday, July 20, 2021
After a dark year bereft of live performance, pianoSonoma launched July 20 the first Vino & Vibrato concert of the 2021 season in Sonoma State's Schroeder Hall, albeit sadly senza vino due to Covid protocols. Three exceptional musicians showered the audience with an interesting variety of pia
Chamber
RARELY-PLAYED SCHUMANN HIGHLIGHTS HEALDSBURG RECITAL
by Terry McNeill
Saturday, July 10, 2021
Brave New Music sporadically produces concerts in and around Healdsburg, and July 10’s violin recital in downtown St. Paul’s Church must have been one of the first post-lockdown, post-be-extra-careful classical music concerts in Sonoma County's summer season. New Music Founder Gary McLaughlin with
Chamber
ECHOS ON A WARM SUMMER NIGHT
by Abby Wasserman
Saturday, July 10, 2021
ECHO Chamber Orchestra’s first concert in a year and a half, “A Musical Promenade,” was a promenade indeed. When patrons arrived at San Anselmo’s First Presbyterian Church for the 6:00 performance July 10, they were funneled through the garden to the Duncan Hall patio, where folding chairs were set
Chamber
LONG DISTANCE LOVE BEGINS VOM SUMMER FESTIVAL
by Pamela Hicks Gailey
Thursday, June 24, 2021
The Valley of the Moon Music Festival offered a 7th season preview June 24 with a stunning online concert, aptly named Long Distance Love, featuring inspired performances of Beethoven's short song cycle An die ferne Geliebte,, and selections from Brahms’ beloved Liebeslieder Wal
Recital
ROMERO'S ARTISTRY IN SLV RECITAL PROGRAMMING AND PERFORMANCE
by Terry McNeill
Wednesday, June 2, 2021
Gustavo Romero has been an admired visitor to North Bay stages, playing over a decade recitals at Dominican University, the Music at Oakmont concerts and at the Spring Lake Village Concert Series. He returned June 2 to SLV in a virtual recital, videoed from his home concert hall the University of N
RUBICON'S VIRTUAL CONCERT A MALANGE OF CONTRASTS
by Terry McNeill
Sunday, May 16, 2021
The inaugural concert of a new Mendocino County chamber group is a reason for celebration, and the Rubicon Trio made the most of a mixed musical menu during a May16 virtual concert. Presented by the Ukiah Symphony Orchestra as the last in their “Salons with the Symphony” Series, the Rubicon began w
Recital
PIANO VIRTUOSITY IN YAKUSHEV'S REDWOOD ARTS RECITAL
by Nicki Bell
Sunday, May 16, 2021
Russian pianist Ilya Yakushev’s recital for the Redwood Arts Council was perhaps the local season’s virtual music at the greatest distance, as the filming May 16 came from a church in St. Petersburg. And good filming it was, with multiple camera viewpoints of the church, full and split screens and
OPERA REVIEW
Tiburon Music Festival / Saturday, June 21, 2008
Two from Tiburon

Linda Noble Brown

OPERA DOUBLE BILL IN TIBURON

by Terry McNeill
Saturday, June 21, 2008

Launching a fledgling music festival with two contemporary chamber operas is a little unusual, but the opening Tiburon Music Festival concert June 21 was a successful if not quite memorable event. Before 100 people in Tiburon's classy St. Hilary Church's Parish Hall, operas by Marin-based composers Ron McFarland and Vincent Stadlin were given, the latter a world premiere, with a repeat performance June 27 at 7:30 p.m. The Festival, directed by College of Marin faculty member Paul Smith, will feature five additional events, all at St. Hilary, and ending June 28.

Though written in 1968, Mr. Stadlin's opera Erik, never been mounted prior to the Festival, is a tight 35-minute exploration of the relationship of a wealthy and emotionally-constrained mother (Marin soprano Linda Noble Brown) with her son, soon to be sent to Vietnam. Singing the role of Erik was Stefan Schermerhorn, with Michael Crozier the long-abandoned, or abandoning, husband. The opera works well on a dramatic scale, though placing much of Ms. Brown's vocal line in an uncomfortable high tessitura, and frequently covered by Mr. Smith's energetic piano part. There is conflict at every turn in both acts, underscoring the mostly tonal harmonic language. Ms. Brown's voice was most comfortable in the lower registers where her fetching pianissimo and adroit phrasing carried well. The duet ending Act 1, where mother and son finally find common ground, was telling. As an orchestra of one, Mr. Smith at the piano impressively delivered the score in near darkness, indeed a feat of sight reading.

The composer, currently Music Director at St. Hilary, clearly has a strong command of theater, and one looks to future presentations of his more recent work. He was greeted with loud applause at the conclusion, with Ms. Brown receiving a diva's accolade.

Arguably Marin's best-known active composer, Ron McFarland's Tamson Donner is a reduced version of his full-length opera The Donner Party, and as in Erik, just a few vocal parts have prominence. Here, with stage orchestra of two violins, flute, clarinet and Mr. Smith's commanding piano and conducting, the dramatic range is limited but persuasive. A ten-person chorus is mute much of the time, standing silently as 'trees' in the snow-bound Sierra Nevada, where the Donner expedition is marooned and where some will perish. The role of Tamson Donner was well sung by soprano Carole Klein, tending to her exhausted husband (Boyd Jarrell) and her daughters, the latter departing for safety before the violence of the storm wrecks death and cannibalism. Thematic interplay and dissonant harmonies were contrasted with the principal's lushly romantic duet with about family, and an equally-assured threnody delicately sung by Ms. Klein, over arpeggios in the piano part, as her spouse succumbs to the cold. The composer has packed a lot into just 40 minutes, and the balance between the orchestra and singing was artful. Entrances for the orchestra were frequently ragged, understandable given the difficult sightlines to Mr. Smiths conducting from the piano at stage right. Wendy Hindley's flute solos were captivating.

Recently Mr. McFarland's music was on display at a San Francisco gala, highlighting his chamber music, songs and piano preludes, and thus it was fitting in his hometown area for this 'pocket' opera to have exposure. He is a Marin treasure, a worthy colleague to Bay area composers Wayne Peterson and Roger Nixon, all enriching our musical experience.

Both operas were the product of Contemporary Opera Marin, associated with College of Marin, with a history of producing more than 50 operas and 30 premieres. Additional information regarding the Festival is at www.tiburonmusicfestival.org and (415) 457-5226. Mention must be made of the excellent acoustics of the hall and the gratis hors d'ouvres, combining with the music to fashion a beguiling place for intimate opera. This is a Festival which should become an annual Marin event.