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Chamber
FINAL VOM MUSICIANS CONCERT IN SCHROEDER A SCHUBERT DELIGHT
by Terry McNeill
Saturday, May 12, 2018
It's rare to have the opportunity to compare in a short period two performances of the same major Schubert work, in this case the great B Flat Piano Trio, D. 898. The chance came May 12 when the Valley of the Moon Festival musicians played it in Schroeder, just over a month since the Hall’s residen...
Chamber
VIRTUOSO CELLO AND GUITAR TRANSCRIPTIONS AT RAC SEBASTOPOL CONCERT
by Terry McNeill
Saturday, April 14, 2018
Listeners and yes even music critics usually prepare for a concert with research, checking recorded performances, looking at artist biographies and even reviewing sheet music. This was a difficult task for the April 14 Redwood Arts Council concert in Sebastopol’s Community Church, as the performers...
Chamber
TRIO NAVARRO'S POPULAR FARE IN SCHROEDER HALL CONCERT
by Terry McNeill
Sunday, April 08, 2018
Long time Classical Sonoma readers may recall many Trio Navarro concert reviews that lauded their virtuosity and interest in rarely played repertoire. The April 8 concert in Schroeder Hall before 85 chamber music fans featured sterling performances but had a mostly conservative menu of popular trio...
Chamber
VOM FESTIVAL TRIO CHARMS WITH CHAMBER MIX, AND HUMMEL
by Terry McNeill
Saturday, March 31, 2018
At the core of the group of Valley of the Moon Music Festival (VOM) musicians is an ensemble of trios and duos, and as a trio March 31 Festival founders cellist Tanya Tomkins and pianist Eric Zivian joined British violinist Monica Huggett for a chamber music concert in the Green Music Center’s Schro...
Chamber
ADVENTUROUS BACH AND PENDERECKI IN MUTTER-ORKIS WEILL RECITAL
by Terry McNeill
Friday, March 02, 2018
German violinist Anne-Sophie Mutter returned to Weill Hall March 2 in a recital curiously different than her appearance on the same stage several years ago, and also dissimilar to a recent San Francisco concert with a heroic Respighi Sonata performance. On a rainy night before 700 fans Ms. Mutter ...
Chamber
BEETHOVEN'S MAJESTY IN TAKACS QUARTET CONCERT
by Terry McNeill
Sunday, February 25, 2018
Greatness in a single musical composition carried the day Feb. 25 when the Takács String Quartet played Beethoven in Weill Hall. Sweeping aside two first half pieces, the Takács tackled Beethoven’s penultimate Quartet, the monumental C-Sharp Minor, Op. 131, written in 1826. From the first notes (<...
Chamber
KIM-PETERSEN DUO SHINE IN MILL VALLEY CHAMBER RECITAL
by Abby Wasserman
Sunday, February 18, 2018
“Bomsori” means “the sound of spring” in Korean, and violinist Bomsori Kim’s sound is like spring - fresh, clarion, and nuanced. Her expressiveness and obvious pleasure in engaging with audiences is substantial, and she partnered with pianist Drew Petersen in a Feb. 18 recital for the Mill Valley C...
Chamber
POWERHOUSE TANEYEV QUARTET IN TRIO NAVARRO CONCERT
by Sonia Tubridy
Sunday, February 18, 2018
Now in their 26th year of presenting chamber music as artists in residence at Sonoma State University, members of the Navarro Trio have performed, over the years, piano trios both famous and rarely performed, including many contemporary works. Mozart’s Piano Quartet in G Minor, K. 478 opened the Fe...
Chamber
NOVEL AND FAMILIAR WORKS FROM THE TILDEN TRIO
by Terry McNeill
Sunday, February 11, 2018
North Coast chamber music fans have the luxury of two fine resident piano trios, with the frequently performing Trio Navarro at Sonoma State, and the Tilden Trio at San Rafael’s Dominican University. The Tilden plays less often, but their Feb. 11 performance brought several hundred to Angelico Hall ...
Chamber
BERLIN WIND QUINTET'S NOVEL PROGRAM SCORES IN WEILL CONCERT
by nicholas xenelis
Friday, February 09, 2018
Driving into the Green Music Center parking lot Feb. 10 I knew there was something unusual taking place since the lot was nearly full. Was another event going on this same night? A large crowd in Weill Hall isn’t expected for chamber music, in this case with the Berlin Philharmonic Wind Quintet. S...
CHAMBER REVIEW
Piano Sonoma / Tuesday, August 01, 2017
Emi Ferguson, flute; Peter Dugan and Angie Zhang, piano; Down Na, violin; Julia Glenn, violin and viola; Michael Dahlberg, cello;

Flutist Emi Ferguson at Piano Sonoma Festival

YOUNG MUSICIANS SHINE AT PIANO SONOMA CONCERT

by
Tuesday, August 01, 2017

The third in a series of four concerts by Piano Sonoma artists in residence, part of the Vino and Vibrato Series, was held August 1 in Schroeder Hall at the Green Music Center. Entitled “The Masters,” the program included works by Bach, Beethoven, Mozart and Haydn. Piano Sonoma is a summer artist-in-residence program attracting young musicians from leading music schools.

The evening began with playing of a section of Bach’s Goldberg Variations (BWV 988), Nos. 16-24 and Aria, arranged for strings. A portion of the entire set was featured at each of the four concerts, this time with pianist Angie Zhang, flautist Emi Ferguson, violinist Doori Na, violist Julia Glenn and cellist Michael Dahlberg. From the grand 16th variation “Ouverture” with its pomp and circumstance through the lilting 24th variation “Canone All’ Ottava,” the ensemble playing was strikingly good. These are polished young musicians already equipped with the interpretive skills of seasoned players. It served as a great start to what was a spectacular evening of music making.

Pianist Peter Dugan then offered Beethoven’s Bagatelles, Opus 126, and he is an artist with great expressive skills and has that special performance gene that allows him to communicate directly with an audience. His animated playing was infectious and yet he did it without any of the tawdry pianistic stage gestures one often sees. These are quiet pieces filled with emotion and Mr. Dugan could not have played them any better.

Next came the duo of Ms. Na and Ms. Zhang in a moving exposition of Mozart’s E Minor Piano and Violin Sonata, K. 304. These two seemed to be musical soul mates, as the instruments blended together to create a glorious result in this short work (under 14 minutes) that was written in 1778. For such youthful artists to play at this level was a joy to hear and see. Ms. Zhang was particularly sensitive in her playing and exhibited a thorough understanding of the sonata and its challenges. Mr. Na followed suit with elegant playing in the often somber second movement, in a tasteful partnership with Ms. Zhang. The enthusiastic audience expressed its approval.

The program closed with Haydn’s Piano Trio in G Major, Hob. XV:15, featuring Ms. Ferguson, Mr. Dahlberg and Mr. Dugan. In pre-performance remarks it was stated that Haydn loved to laugh, and the audience was asked to see if they heard any musical jokes, so to speak, in the score. The 20-minute piece from 1790 is certainly light-hearted and frothy in parts, and yet what the ensemble playing revealed was the rich harmonic contours of the score, especially during the andante movement. One literally had to restrain oneself from humming along. Ms. Ferguson’s sprightly flute virtuosity conveyed the emotional content of each movement beautifully. The piano line never dominated the performance and the three musicians had excellent ensemble.

It’s clear that the Piano Sonoma program has attracted serious artists in a Festival of charming music making.