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Chamber
EXTRAVAGANT FUSION OF STYLES AT CHRIS BOTTI BAND WEILL HALL CONCERT
by Jerry Dibble
Sunday, August 12, 2018
Trumpeter Chris Botti still performs in jazz venues including SF Jazz and The Blue Note, but now appears mostly in cavernous halls or on outdoor stages like the Sonoma State University’s Green Music Center. He brought his unique road show to the packed Weill Hall August 12 in a concert of effusive e...
Chamber
SCHUBERT "MIT SCHLAG" AT VOM FESTIVAL MORNING CONCERT
by Abby Wasserman
Sunday, July 29, 2018
The spirit of 19th century Vienna was present July 29 on the final day of the Valley of the Moon Music Festival. The Festival in the second half of July glittered with innovative programming and the new, old sound of original instruments played by musicians who love music with historic instruments. ...
Chamber
PASSIONATE BRAHMS-SCHOENBERG MUSIC CLOSES VOM FESTIVAL SUMMER
by Abby Wasserman
Sunday, July 29, 2018
An extraordinary program of chamber music by Brahms and Schoenberg attracted a capacity crowd to the Valley of the Moon Music Festival’s final concert July 29th in Sonoma’s Hanna Center. It opened with a richly expressive reading by Festival Laureate violinist Rachell Wong and pianist Jeffrey LaDeur...
Chamber
PRAGUE AND VIENNA PALACE GEMS HIGHLIGHT VOM FESTIVAL CONCERT
by Sonia Morse Tubridy
Saturday, July 28, 2018
The remarkable Valley of the Moon Chamber Music Festival presented a concert called “Kinsky Palace” July 28 on their final Festival weekend in Sonoma’s Hanna Center. Two well-known treasures and one lesser gem were programmed. Starting the afternoon offerings were violinist Monica Huggett and Fest...
Chamber
INNOVATIVE CHAMBER WORKS IN HANNA CENTER CONCERT
by Sonia Morse Tubridy
Sunday, July 22, 2018
The Valley of the Moon Music Festival presented a July 22 concert featuring three giants: Haydn, Schubert and Schumann, composers who altered music of their time with creative innovations and artistic vision. In the fourth season the Festival’s theme this year is “Vienna in Transition”, and VOM Fes...
Chamber
VIENNA INSPIRATION FOR VOM FESTIVAL PROGRAM AT HANNA CENTER
by Nicki Bell
Saturday, July 21, 2018
A music-loving audience filled Sonoma’s Hanna Center Auditorium July 21 to begin a record weekend of three concerts, produced by the Valley of the Moon Music Festival. The Festival’s theme this summer is “Venice in Transition – From the Enlightenment to the Dawn of Modernism” Prior to Saturday’s m...
Chamber
VANHAL QUARTET AT VOM FESTIVAL DISCOVERY AT HANNA CENTER
by Abby Wasserman
Sunday, July 15, 2018
A near-capacity crowd of 220 filled the Sonoma Hanna Boys Center Auditorium July 15 for the opening concert of the fourth Valley of the Moon Music Festival. This Festival presents gems of the Classical and early Romantic periods performed on instruments of the composer’s era, which presents a few ch...
Chamber
COMMANDING CHOPIN AND DEBUSSY IN SLV RECITAL
by Terry McNeill
Wednesday, June 06, 2018
Concerts at the classy Spring Lake Village Retirement Home in Santa Rosa have admission limited to residents and a few guests, but the chance to hear a first cabin North Bay pianist June 6 brought a Classical Sonoma reviewer into the audience of 100. The crowd numbers were unusually low due to a ba...
Chamber
FINAL VOM MUSICIANS CONCERT IN SCHROEDER A SCHUBERT DELIGHT
by Terry McNeill
Saturday, May 12, 2018
It's rare to have the opportunity to compare in a short period two performances of the same major Schubert work, in this case the great B Flat Piano Trio, D. 898. The chance came May 12 when the Valley of the Moon Festival musicians played it in Schroeder, just over a month since the Hall’s residen...
Chamber
VIRTUOSO CELLO AND GUITAR TRANSCRIPTIONS AT RAC SEBASTOPOL CONCERT
by Terry McNeill
Saturday, April 14, 2018
Listeners and yes even music critics usually prepare for a concert with research, checking recorded performances, looking at artist biographies and even reviewing sheet music. This was a difficult task for the April 14 Redwood Arts Council concert in Sebastopol’s Community Church, as the performers...
CHAMBER REVIEW
Piano Sonoma / Tuesday, August 01, 2017
Emi Ferguson, flute; Peter Dugan and Angie Zhang, piano; Down Na, violin; Julia Glenn, violin and viola; Michael Dahlberg, cello;

Flutist Emi Ferguson at Piano Sonoma Festival

YOUNG MUSICIANS SHINE AT PIANO SONOMA CONCERT

by
Tuesday, August 01, 2017

The third in a series of four concerts by Piano Sonoma artists in residence, part of the Vino and Vibrato Series, was held August 1 in Schroeder Hall at the Green Music Center. Entitled “The Masters,” the program included works by Bach, Beethoven, Mozart and Haydn. Piano Sonoma is a summer artist-in-residence program attracting young musicians from leading music schools.

The evening began with playing of a section of Bach’s Goldberg Variations (BWV 988), Nos. 16-24 and Aria, arranged for strings. A portion of the entire set was featured at each of the four concerts, this time with pianist Angie Zhang, flautist Emi Ferguson, violinist Doori Na, violist Julia Glenn and cellist Michael Dahlberg. From the grand 16th variation “Ouverture” with its pomp and circumstance through the lilting 24th variation “Canone All’ Ottava,” the ensemble playing was strikingly good. These are polished young musicians already equipped with the interpretive skills of seasoned players. It served as a great start to what was a spectacular evening of music making.

Pianist Peter Dugan then offered Beethoven’s Bagatelles, Opus 126, and he is an artist with great expressive skills and has that special performance gene that allows him to communicate directly with an audience. His animated playing was infectious and yet he did it without any of the tawdry pianistic stage gestures one often sees. These are quiet pieces filled with emotion and Mr. Dugan could not have played them any better.

Next came the duo of Ms. Na and Ms. Zhang in a moving exposition of Mozart’s E Minor Piano and Violin Sonata, K. 304. These two seemed to be musical soul mates, as the instruments blended together to create a glorious result in this short work (under 14 minutes) that was written in 1778. For such youthful artists to play at this level was a joy to hear and see. Ms. Zhang was particularly sensitive in her playing and exhibited a thorough understanding of the sonata and its challenges. Mr. Na followed suit with elegant playing in the often somber second movement, in a tasteful partnership with Ms. Zhang. The enthusiastic audience expressed its approval.

The program closed with Haydn’s Piano Trio in G Major, Hob. XV:15, featuring Ms. Ferguson, Mr. Dahlberg and Mr. Dugan. In pre-performance remarks it was stated that Haydn loved to laugh, and the audience was asked to see if they heard any musical jokes, so to speak, in the score. The 20-minute piece from 1790 is certainly light-hearted and frothy in parts, and yet what the ensemble playing revealed was the rich harmonic contours of the score, especially during the andante movement. One literally had to restrain oneself from humming along. Ms. Ferguson’s sprightly flute virtuosity conveyed the emotional content of each movement beautifully. The piano line never dominated the performance and the three musicians had excellent ensemble.

It’s clear that the Piano Sonoma program has attracted serious artists in a Festival of charming music making.