The third in a series of four concerts by Piano Sonoma artists in residence, part of the Vino and Vibrato Series, was held August 1 in Schroeder Hall at the Green Music Center. Entitled “The Masters,” the program included works by Bach, Beethoven, Mozart and Haydn. Piano Sonoma is a summer artist-in-residence program attracting young musicians from leading music schools.
The evening began with playing of a section of Bach’s Goldberg Variations (BWV 988), Nos. 16-24 and Aria, arranged fo... more
The finale of the two-week Valley of the Moon Music Festival closed July 30 with “The Age of Bravura” concert at the Sonoma’s Hanna Boys Center. The musical selections held to this year’s Festival theme “Schumann’s World - His Music and the Music He Loved.“
This summer Festival features chamber musicians playing period instruments of the Classical and Romantic era, and the piano used for this concert was a restored 1841 instrument originally built in Vienna by Franz Rausch. In attemptin... more
Attendees at the Molly Morkoski Mendocino Music Festival recital July 22 were in for a treat, both pianistically and if they happened to buy a tasty cookie during intermission. The program included Beethoven’s Op. 27 Moonlight Sonata, Adams’ Phrygian Gates, a surprise add-on of Grieg’s Holberg Suite, and closed with Chopin’s F Minor Ballade. If the event had been a horse race the audience would have been jumping to their feet with excitation at certain moments and ripping up their betting rece... more
We speak frequently about how there is nothing like the experience of a live performance. Seldom was this truer than at the July 22 closing performance of the two-week Mendocino Music Festival. The Festival Orchestra, conducted by of Allan Pollack, joined with the Festival Chorus in a moving rendering of Verdi’s 1874 (“Manzoni”) Requiem to the delight of an enthusiastic audience of 800 inside the white Tent erected on the spectacular Mendocino bluff overlooking the Pacific Ocean.
Those people once addicted to the “Angry Birds” game application likely suffered an auditory flashback during the opening measures of the allegro from Bartok’s Suite, Op. 14, the opening work in Yefim Bronfman’s April 21 recital at Weill Hall. The repetitive opening figures of the Bartok were evocative of the game app’s hypnotic music loop. The Suite, originally conceived by Bartok as a five movement piece, was shortened by the composer to four movements, as Bartok had written an andan... more